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A modern hand-carved portrait cameo of white on blue-layered agate, set in 18 kt white gold. Many modern cameos are carved into layered agates. The layers are dyed to create strong color contrasts. The most usual colors used for two-layer stones are white on black, white on blue, and white on red-brown. Three-layer stones are sometimes made.
Cameo with Noah's Ark, circa 1600. Walters Art Museum. Allessandro Masnago (Active ca. 1560 – died 1620) was an Italian jewelry maker, sculptor and miniaturist. Masnago has been described by art historians as a "great virtuoso." [1] He was the son of Italian engraver Giovanni Antonio. [2]
The cameo, which is rare in intaglio form, seems to have reached Greece around the 3rd century; the Farnese Tazza is the only major surviving Hellenistic example (depending on the date assigned to the Gonzaga Cameo – see below), but other glass-paste imitations with portraits suggest that gem-type cameos were made in this period. [11]
In 2006, the designers launched AMEDEO, a collection of contemporary jewelry featuring modern cameos, dedicated to the Scognamiglio's family heritage of Italian cameo artistry . [7] In 2013, the Italian designer duo launched a fashion jewelry diffusion line designed and sold exclusively on Home Shopping Network in the United States and on QVC ...
Fortunato Pio Castellani (1794–1865) is regarded as the forefather of the family. In 1814, Fortunato opened his own workshop in Rome. The progenitor specialized in the creation of jewels emulating the ones that then came to light from the necropolis of Etruria, that were found in the excavations of Pompeii and Herculaneum or that could be observed in the Campana collection.
With the Renaissance, the Greco-Roman glyptics reappeared, which had been almost completely forgotten during the Middle Ages in fine stone carving (except for a few examples of Byzantine art), and from the 16th century, precious cameos of classical taste were carved, so perfect that sometimes they could be confused with the ancient ones ...
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