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A darkroom is used to process photographic film, make prints and carry out other associated tasks. It is a room that can be made completely dark to allow the processing of light -sensitive photographic materials, including film and photographic paper .
View from the Window at Le Gras 1826 or 1827, believed to be the earliest surviving camera photograph. [1] Original (left) and colorized reoriented enhancement (right).. The history of photography began with the discovery of two critical principles: The first is camera obscura image projection; the second is the discovery that some substances are visibly altered by exposure to light. [2]
The Photo History Timeline Collection; In the eye of the camera — Illustrated historical essay about early photography; Lippmann's and Gabor's Revolutionary Approach to Imaging; The Digital Camera Museum with accurate history section and many rare items Archived 2017-02-16 at the Wayback Machine; The Fascinating Timeline of Photography Technology
Darkroom manipulation is a traditional method of manipulating photographs without the use of computers. Some of the common techniques for darkroom manipulation are dodging, burning , and masking , which though similar conceptually to digital manipulations, involve physical rather than virtual techniques.
Nikon was interested in digital photography since the mid-1980s. In July 1986, while presenting to Photokina, Nikon introduced an operational prototype of the first SLR-type digital camera (Still Video Camera), manufactured by Panasonic. [50] The Nikon SVC was built around a sensor 2/3 " charge-coupled device of 300,000 pixels. Storage media, a ...
The so-called golden age of hand-coloured photography in the western hemisphere occurred between 1900 and 1940. [11] The increased demand for hand-coloured landscape photography at the beginning of the 20th century is attributed to the work of Wallace Nutting. Nutting, a New England minister, pursued hand-coloured landscape photography as a ...
The southbound Missouri Pacific passenger train crosses over the Myrtle bridge crossing over Bear Creek north of Bergman, Arkansas in this photo first published in the News & Leader on March 20, 1960.
In 1827, critic Vergnaud complained about the frequent use of camera obscura in producing many of the paintings at that year's Salon exhibition in Paris: "Is the public to blame, the artists, or the jury, when history paintings, already rare, are sacrificed to genre painting, and what genre at that!... that of the camera obscura."