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Congolese rumba, also known as African rumba, is a dance music genre originating from the Republic of the Congo (formerly French Congo) and Democratic Republic of the Congo (formerly Zaire). With its rhythms, melodies, and lyrics, Congolese rumba has gained global recognition and remains an integral part of African music heritage.
In November 2017, Tshimpaka made a guest appearance on Innoss'B's music video for the track "Top Model," from his five-track maxi single Plus. [4] [19] The feature propelled her into the limelight and seized the attention of Ferré Gola, who subsequently featured her in his Congolese rumba-infused music video for the single "Ma Meilleur Chemise."
He then unveiled the music video of his Congolese rumba and Afrobeats-inspired single "Canon" on 15 April, which was directed by Ace Video director Moe Musa. [110] On 23 April 2021, Longomba was featured on Harmonize 's single "Attitude", which rapidly amassed three million YouTube views in 24 hours.
She began her career as a dancer, posting videos on social media that featured her signature ndombolo choreography intertwined with the fast-tempo sébène, an instrumental hallmark of Congolese rumba. [1] [4] Her dynamic performances quickly garnered a devoted following, earning her recognition as an influential figure in African dance. [1] [4 ...
Outside Africa, most music from the Democratic Republic of Congo is called Soukous, which most accurately refers instead to a dance popular in the late 1960s. The term rumba or rock-rumba is also used generically to refer to Congolese music, though neither is precise nor accurately descriptive.
The origins of the genre can be traced back to Congolese rumba, which emerged in the early 20th century when urban residents of the French Congo and the Belgian Congo embraced the fusion of intertribal Kongolese maringa dance music near Pool Malebo, infused with guitar techniques from Liberia. [11]
The dance was popularized by soukous music videos, as well as the videos of Kanda Bongo Man, Pepe Kalle, Viva La Musica, and other Congolese musicians. For the first time in Congo, all the groups adopted these dance steps. This had not happened before because bands preferred to have their own specific dance.
Zaïko Langa Langa played a significant role in introducing and popularizing the concept of atalaku in Congolese rumba. In the sebene instrumental section of a Congolese rumba song, the atalaku serves as the band's frontman, responsible for actively engaging the audience, building excitement, and augmenting the performance with spirited vocalizations and rhythmic chants. [1]