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Dance theory is the philosophy underpinning contemporary dance, including formal ideologies, aesthetic concepts, and technical attributes. [1] It is a fairly new field of study, developing largely in the 20th century. It can be considered a branch of expression theory [2] and is closely related to music theory and specifically musicality. [3]
In doing so, Ford rewrote the cultural history of the dance form and set the stage for a pantheon of racist ideas that still animate modern white supremacist movements. Most Americans rightly ...
Postmodern dance is a 20th century concert dance movement that came into popularity in the early 1960s. While the term postmodern took on a different meaning when used to describe dance, the dance form did take inspiration from the ideologies of the wider postmodern movement, which "sought to deflate what it saw as overly pretentious and ultimately self-serving modernist views of art and the ...
Alternative dance (also known as indie dance [4] or underground dance in the United States [5]) is a musical genre that mixes alternative rock with electronic dance music. Although largely confined to the British Isles , it has gained American and worldwide exposure through acts such as New Order in the 1980s and the Prodigy and in the 1990s.
New dance style had also led to discussion over gender relations. [58] Pantsula is a male-dominated dance that came about in the 1980s representing the lower class culture. The dance includes synchronized movements by large groups of male dancers. [58] "Mapantsula" is the title of a 1988 film describing the anti-apartheid struggle in South Africa.
Folk dance music is music accompanying traditional dance and may be contrasted with historical/classical, and popular/commercial dance music. An example of folk dance music in the United States is the old-time music played at square dances and contra dances .
In music theory, contrapuntal motion is the general movement of two or more melodic lines with respect to each other. [1] In traditional four-part harmony, it is important that lines maintain their independence, an effect which can be achieved by the judicious use of the four types of contrapuntal motion: parallel motion, similar motion, contrary motion, and oblique motion.
This project took Bartenieff into cross-cultural studies of movement, expressed in work and dance activities. An educational film entitled “Dance and Human History” (1976) [10] demonstrates the concepts of the Choreometrics team. [11] This project was the first to adapt Laban-based movement analysis to observation of cultural/geographic ...