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After the huge success of her debut album, Mademoiselle chante le blues, still well placed on the French album charts, Kaas decided to release her second studio album, Scène de vie, which was mainly written by the famous composer Didier Barbelivien. The lead single, "Les Hommes qui passent", was released at the same time as the album, in April ...
This compilation was the first one released by the singer. It debuted on October 22, 2001 and was published by her record company, Sony BMG. As indicates on the cover with the mention '1987-2001', the album, actually a best of, contains all Kaas' songs released as singles from her first five studio albums (Mademoiselle chante..., Scène de vie, Je te dis vous, Dans ma chair, Le Mot de passe).
The fourth live album, titled simply Live was issued in August 2000 and peaked at number five in France where it was certified 2× Gold. Rien ne s'arrête , Kaas' first greatest hits album from October 2001 peaked at number two in France, number three in Belgium Wallonia and number fourteen in Switzerland.
"Mademoiselle chante le blues" was performed during Kaas' concert tours in 1991, 1994, 1998 and 2005, and was thus included on the live albums Carnets de scène, Tour de charme in an extended edit version, Rendez-vous and Toute la musique... and also on the singer's best of Rien ne s'arrête in a live version and Ma Liberté contre la tienne.
Patricia Noëlle Kaas, the youngest of her family, was born on 5 December 1966 in Forbach, Lorraine, France, near the German border.Her father, Joseph Kaas (1927–1996), a miner, was a French Germanophone, and her mother, Irmgard (née Thiel; 1930–1989), was a German from Saar.
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The song was performed during Kaas' concert tours in 1991, 1994 and 1998, and was thus included on the live albums Carnets de scène, Tour de charme and Rendez-vous respectively as well as the singer's best of compilations Rien ne s'arrête and Ma Liberté contre la tienne in a live version.
From Nicole Kidman’s erotic thriller “Babygirl,” to a book of sexual fantasies edited by Gillian Anderson, this was the year the female sex drive took the wheel in popular culture.