Search results
Results from the WOW.Com Content Network
The Sound of Music is a musical with music by Richard Rodgers, ... The Nazis leave, and the von Trapps flee over the Alps as the nuns reprise "Climb Ev'ry Mountain".
The Sound of Music: Original Soundtrack Recording (Super Deluxe Edition) was released on December 1, 2023, compiling all of the previously released music, as well as the complete instrumental score, demo versions, songs with alternative scoring (i.e. solely instrumental), alternative Christopher Plummer vocals recorded prior to their removal ...
"Edelweiss" is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. It is named after the edelweiss (Leontopodium nivale), a white flower found high in the Alps. The song was created for the 1959 Broadway production of The Sound of Music, as a song for the character Captain Georg von Trapp.
Music in Nazi Germany, like all cultural activities in the regime, was controlled and "co-ordinated" (Gleichschaltung) by various entities of the state and the Nazi Party, with Propaganda Minister Joseph Goebbels and the prominent Nazi theorist Alfred Rosenberg playing leading – and competing – roles.
"No Way to Stop It" is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music, but not included in the later film version from 1965. [1] The song features the characters Max Detweiler and Baroness Elsa Schräder, with Captain Georg von Trapp joining in later. [2]
The soundtrack of the film The Sound of Music, music and lyrics by Rodgers and Hammerstein, was released in 1965 by RCA Victor and is one of the most successful soundtrack albums in history, having sold more than 20 million copies worldwide. [1] [2] The soundtrack has been issued in German, Italian, Spanish and French. [3]
The Nazis were not reticent in employing songs and melodies previously associated wholly with socialists and communists in their quest to broaden their appeal to the working class, and the Internationale was a prime target. By 1930, a Nazi version of this working-class standard was in circulation, entitled the Hitlernationale: [4]
Therefore, the best that can be understood about German Music during the war is the official Nazi government policy, the level of enforcement, and some notion of the diversity of other music listened to, but as the losers in the war German Music and Nazi songs from World War II has not been assigned the high heroic status of American and ...