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Samsung NX1 - First prosumer camera to record in HEVC, 4K downsampled from 6.5K, 80 Mbit/s in H.265. 30 min max recording time limit Samsung NX500 - Same 28 MP APS-C sensor as NXI but 4K video is not downsampled from 6.5K so less details and more noise than the NX1 - with this 2.4× crop factor the kit lens become a 38–120mm f8.5–13.4 ...
A digital movie camera for digital cinematography is a motion picture camera that captures footage digitally rather than physical film, known as film stock. Different digital movie cameras output a variety of different acquisition formats. Cameras designed for domestic use have also been used for low-budget independent productions.
In 2021, Red announced the Red V-Raptor camera, the current flagship model in Red's lineup of cameras, and the first camera that officially belongs to the DSMC3 family of cameras. Like the Komodo, the Red V-Raptor also has an active Canon RF lens mount, but unlike the Komodo, the V-Raptor is capable of multi-format recording.
Sony has unveiled the ZV-1F, its third and most affordable vlogging camera, designed for creators as a "step up" from smartphones. Sony has unveiled the ZV-1F, its third and most affordable ...
The Thomson Viper FilmStream Camera is a digital movie camera produced by Thomson Multimedia (now Vantiva). Introduced in the early 2000s [ 1 ] as makers of feature films were turning to digital cinematography , the Viper influenced subsequent HD , UHD, and HDR cameras.
This marked the first time a digital cinema camera was tested alongside leading stills cameras. [14] For economical reasons Scarlet-W and Dragon-X cameras have the same 6K Dragon sensor used in the original DSMC generation, [15] but only 5K image area of it is utilized in Scarlet-W. [16] Red Raven has a "hard" 4.5K sensor. [15]
Digital cinematography captures motion pictures digitally in a process analogous to digital photography.While there is a clear technical distinction that separates the images captured in digital cinematography from video, the term "digital cinematography" is usually applied only in cases where digital acquisition is substituted for film acquisition, such as when shooting a feature film.
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