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Flashed glass fused a thin outer layer of glass to a thicker glass object, often of a different color. The larger object was dipped into molten glass, then heated to fuse the outer layer to the object. The outer layer could then be etched, often diamond, to reveal the color beneath. Glass marquetry was a technique developed by Émile Gallé in ...
The color was mixed with "soft" glass, a kind of glass with a low melting point, which would allow the mixture to be fused directly with the glass of the windows. [ 21 ] The painters placed the window section on an open easel placed before a window, or put the glass flat onto a transparent table, so the artist could see the effect of the light ...
Fused and kiln-formed glass sculpture. Glass fusing is the joining together of pieces of glass at high temperature, usually in a kiln. [1] [2] This is usually done roughly between 700 °C (1,292 °F) and 820 °C (1,510 °F), [3] [4] and can range from tack fusing at lower temperatures, in which separate pieces of glass stick together but still retain their individual shapes, [5] to full fusing ...
Alternatively they may be used for painting linear effects, or polychrome areas of detail. The most common method of adding the black linear painting necessary to define stained glass images is the use of what is variously called "glass paint", "vitreous paint", or "grisaille paint".
Print/export Download as PDF; Printable version; In other projects Wikidata item; Appearance. ... Irving Amen (1918-2011), stained glass; Gary Beecham (b. 1955)
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Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
Glass coloring and color marking may be obtained in several ways. by the addition of coloring ions, [1] [2] by precipitation of nanometer-sized colloids (so-called striking glasses [1] such as "gold ruby" [3] or red "selenium ruby"), [2] Ancient Roman enamelled glass, 1st century, Treasure of Begram; by colored inclusions (as in milk glass and ...
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