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Choral poetry is a type of lyric poetry that was created by the ancient Greeks and performed by choruses (see Greek chorus). Originally, it was accompanied by a lyre , a string instrument like a small U-shaped harp commonly used during Greek classical antiquity and later periods.
Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! ich bin dein müde, Riemenscheider No. 150, Terry No. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27.
This category is intended for choral works that are not anthems, cantatas, oratorios or operas. Subcategories This category has the following 17 subcategories, out of 17 total.
The first example of the text painting in Schicksalslied occurs in measure 41, with the "luminous" harmonies as the choir sings "Glänzende Götterlüfte". Choral text painting The orchestra returns to prominence at measure 52 with harplike accompaniment as the chorus presents a new melody to the line Wie die Finger der Künstlerin Heilige Saiten .
Lux Aurumque ("Light and Gold", sometimes "Light of Gold") is a choral composition in one movement by Eric Whitacre.It is a Christmas piece based on a Latin poem of the same name, which translates as "Light, warm and heavy as pure gold, and the angels sing softly to the new born babe". [1]
The first part of Atmen gibt das Leben was composed for a cappella choir during a composition seminar on 1 February 1974. This was in response to a request from the German Choral Association for a piece that could be sung by amateur choirs, and Stockhausen's original idea was that his students should each write a simple choral piece using a text from The Bowl of Saki, by Inayat Khan, and then ...
Canticum Sacrum ad Honorem Sancti Marci Nominis is a 17-minute choral-orchestral piece composed in 1955 by Igor Stravinsky (1882–1971) in tribute "To the City of Venice, in praise of its Patron Saint, the Blessed Mark, Apostle." The piece is compact and stylistically varied, ranging from established neoclassical modes to experimental new ...
In German, the word Choral may as well refer to Protestant congregational singing as to other forms of vocal (church) music, including Gregorian chant. [1] The English word which derived from this German term, that is chorale, however almost exclusively refers to the musical forms that originated in the German Reformation.
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