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The first ethnologists to work with the Bongo language were John Petherick, who published Bongo word lists in his 1861 work, Egypt, the Soudan, and Central Africa; Theodor von Heuglin, who also published Bongo word lists in Reise in das Gebiet des Weissen Nil, &c. 1862-1864 in 1869; and Georg August Schweinfurth, who contributed sentences and vocabularies in his Linguistische Ergebnisse, Einer ...
The Bongo, unlike other inhabitants of the upper Nile, are not mainly cattle-breeders, but employ their time in agriculture. The crops mostly cultivated were sorghum, tobacco, sesame and durra. [3] In the late 1920s, British anthropologist Evans-Pritchard visited and later described the lifestyle and history of the Bongo people. [4]
The Bongo–Bagirmi or Sara–Bongo–Bagirmi (SBB) languages are the major branch of the Central Sudanic language family with about forty languages. Principal groups include Bagirmi languages such as Naba and the Sara languages. They are spoken across CAR, Chad, South Sudan, Sudan and adjacent countries.
Bongo drums produce relatively high-pitched sounds compared to conga drums, and should be held behind the knees with the larger drum on the right when right-handed. It is most often played by hand and is especially associated in Cuban music with a steady pattern or ostinato of eighth-notes known as the martillo (hammer). [ 3 ]
In various classifications, Bongo is sometimes split off from the rest of the family, so the phrase Bongo–Baka may be less ambiguous than simply Bongo. [1]However, Boyeldieu (2006) [2] does not consider Bongo–Baka to be a valid grouping, and considers Bongo and Baka to each be primary splits from Proto-Sara-Bongo-Bagirmi.
The Bongo people, also called Babongo or Bazimba, are an agricultural people of Gabon in equatorial Africa who are known as "forest people" due to their recent foraging economy. They are not to be confused with the autocrat leadership of Omar Bongo. As foreigners, the dictatorship of the Bongo family, selected this name to become familiar ...
John Rodríguez Jr. (September 11, 1945 – August 17, 2024), better known as Johnny "Dandy" Rodríguez, was an American bongo player of Puerto Rican descent. He was the long-time bongosero for Tito Puente, and also played with Tito Rodríguez, Ray Barretto and Alfredo de la Fé.
The 1947 song "Civilization" by Bob Hilliard and Carl Sigman, recorded by various artists, contained the line "Bongo, Bongo, Bongo, I Don't Want to Leave the Congo". A variation of this was adopted for a poster produced by the fascist Union Movement bearing the chant "Bongo, bongo, whites aren't going to leave the Congo". [5]