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In the Gospel of Mark, generally agreed to be the earliest Gospel, written around the year 70, [3] [4] Jesus predicts his death three times, recorded in Mark 8:31-33, 9:30-32 and 10:32-34. Scholars note that this Gospel also contains verses in which Jesus appears to predict his Passion and suggest that these represent the earlier traditions ...
From the middle of the 4th century, after Christianity was legalized by the Edict of Milan in 313, and gained Imperial favour, there was a new range of images of Christ the King, [47] using either of the two physical types described above, but adopting the costume and often the poses of Imperial iconography.
This category is for specific works that include depictions of Jesus in the visual arts. For articles covering ways of depicting scenes or types of depictions of Jesus in general, see the sub-category Category:Iconography of Jesus. For images of Jesus as an infant with his mother, see Category:Madonna and Child in art.
With the world's annual celebration of his birth mere weeks away, it turns out one of the most revered figures who ever walked the Earth likely didn't look like the pictures of him.
Subjects showing the life of Jesus during his active life as a teacher, before the days of the Passion, were relatively few in medieval art, for a number of reasons. [1] From the Renaissance, and in Protestant art, the number of subjects increased considerably, but cycles in painting became rarer, though they remained common in prints and ...
The Transfiguration of Jesus has been an important subject in Christian art, above all in the Eastern church, some of whose most striking icons show the scene. The Feast of the Transfiguration has been celebrated in the Eastern church since at least the 6th century and it is one of the Twelve Great Feasts of Eastern Orthodoxy , and so is widely ...
The first episode, much the most common in Western Medieval art, [13] is the dramatic and dynamic moment of Jesus' announcement of his betrayal. In this the various reactions produced by the Apostles and the depictions of their emotions provide a rich subject for artistic exploration, [ 1 ] following the text of Chapter 13 of the Gospel of John ...
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]