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Cast iron was also taken up by some architects in the early 19th century where smaller supports or larger spans were required (and where wrought iron was too expensive), notably in the Royal Pavilion in Brighton, designed by John Nash and built between 1816 and 1823, where cast iron columns were used within the walls, as well as cast iron beams ...
[5] In 1970 she founded the group the Friends of Cast Iron Architecture (FCIA) as part of the opposition to Robert Moses's plan to build an expressway through TriBeCa and SoHo. [4] The expressway project was abandoned in 1971 and the 26-block SoHo Cast Iron Historic District was established in 1973. [ 2 ]
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An exception was the replacement of mid-nineteenth-century cast-iron balconies with ornamental cast-iron galleries at 936-942 Royal Street in the late 1930s. [25] In 1937, the city established the Vieux Carré Commission, initiating a preservation movement to prevent the destruction of architectural heritage in the French Quarter, including the ...
Bogardus attached plaques to his cast-ironwork that read: "James Bogardus Originator & Patentee of Iron Buildings Pat' May 7, 1850." [6] He demonstrated the use of cast-iron in the construction of building facades, especially in New York City for the next two decades. He was based in New York, but also worked in Washington, DC, where three cast ...
Cast iron gutters were introduced in the late 18th century as an alternative to lead. Cast iron enabled eaves gutters to be mass-produced: they were rigid and non-porous while lead could only be used as a liner within timber gutters. Installation was a single process and didn't require heat. [26] They could be attached directly to the fascia board.
Daniel D. Badger (15 October 1806–1884 [3]) was an American founder, working in New York City under the name Architectural Iron Works. With James Bogardus , he was one of the major forces in creating a cast-iron architecture in the United States. [ 4 ]
Cast-iron architecture, known simply as iron architecture in Portuguese (arquitetura de ferro), largely began to manifest during the last quarter of the 19th century. While revolutionary in regards to technical advancement, structural integrity, and other engineering feats, the stylistic trends of iron architecture were almost completely based ...