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When Petkanas mentioned a case of a 10-year-old immigrant girl with Down syndrome who had been forcibly taken away from her mother under the Trump administration family separation policy and allegedly put in a cage, Lewandowski responded "womp, womp" (an onomatopoeia for the "sad trombone" sound effect that often accompanies a comedic failure ...
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Wah-wah (or wa-wa) is an imitative word (or onomatopoeia) for the sound of altering the resonance of musical notes to extend expressiveness, sounding much like a human voice saying the syllable wah. The wah-wah effect is a spectral glide , a "modification of the vowel quality of a tone".
1989 Sidewalk Cafe; 1991 Heroes; 1994 Midnight Crossing; 1997 Absolute Trombone; 1999 Bonetown; 2000 Brass Nation; 2002 New Brass; 2003 Trumpets Eleven; 2007 Absolute Trombone II; 2015 Bone Alone
Together with Ellington's trumpeter Bubber Miley, Nanton is largely responsible for creating the characteristic wah-wah, or wa-wa, effect. Their highly expressive growl and plunger sounds were the main ingredient in the band's early "jungle" sound, that evolved during the band's late 1920s engagement at Harlem's Cotton Club. [1]
The theory behind the illusion was demonstrated during an episode of the BBC's show Bang Goes the Theory, where the effect was described as "a musical barber's pole". [ 2 ] The scale as described, with discrete steps between each tone, is known as the discrete Shepard scale .
BRAAAM is a loud, low sound typically produced using real or synthesized brass instruments.One of the best-known examples also involved a prepared piano.Seth Abramovitch of The Hollywood Reporter described the sound as "like a foghorn on steroids" which is "meant to impart a sense of apocalyptic momentousness". [3]
Paul Hindemith, Trombone Sonata (1941) Vagn Holmboe, Trombone Sonata, Op. 172a (1987) Søren Hyldgaard, Rapsodia Borealis (2001) Arthur Honegger, Hommage du trombone exprimant la tristesse de l'auteur absent (1925) Alan Hovhaness, O World, Op. 32, No. 2 (1960) Joseph Jongen, Aria et polonaise, Op.128 (1944) Ernst Krenek, 5 Pièces (1967)