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The Sacrifice of Isaac is the title of two paintings from c. 1598 - 1603 depicting the sacrifice of Isaac.The paintings could be painted by the Italian master Caravaggio (1571–1610) but there is also strong evidence that they may have been the work of Bartolomeo Cavarozzi, a talented early member of the Caravaggio following who is known to have been in Spain about 1617–1619.
On that reading, in the original E version of the binding Abraham disobeys God's command, sacrificing the ram "instead of his son" (verse 13) on his own responsibility and without being stopped by an angel: "And Abraham stretched forth his hand, and took the knife to slay his son; but Abraham lifted up his eyes and looked and beheld, behind him ...
This painting shows Abraham with a knife in his hand raised to kill his son Isaac at the moment that the angel intervenes. Bencovich became court painter of the Archbishop-Elector of Mainz Lothar Franz von Schönborn in 1715 and completed four large canvas masterpieces for his gallery in Schloss Weißenstein.
Abraham and Isaac, also known as the Sacrifice of Isaac (Italian: Sacrificio di Isacco), is an oil painting by the Venetian painter Titian. It was made in about 1543–1544 for the church of Santo Spirito , but is now in the basilica of Santa Maria della Salute .
Repin began working on the painting in Moscow. [1] A first overall sketch, with the character of the Tsar turned to his right, dates from 1882. The idea of the painting, according to Repin, is linked to his confrontation with the themes of violence, revenge and blood during the political events of 1881; additional sources of inspiration were the music of Nikolai Rimsky-Korsakov and the ...
A model attribution edit summary is Content in this edit is translated from the existing Dutch Wikipedia article at [[:nl:Het offer van Abraham (1635)]]; see its history for attribution. You may also add the template {{Translated|nl|Het offer van Abraham (1635)}} to the talk page. For more guidance, see Wikipedia:Translation.
Art historian H. W. Janson writes that Prodigal Son "may be [Rembrandt's] most moving painting. It is also his quietest—a moment stretching into eternity. So pervasive is the mood of tender silence that the viewer feels a kinship with this group. That bond is perhaps stronger and more intimate in this picture than in any earlier work of art." [6]
As he is being led off to be killed, his mother tells him: "My son, go and say to your father Abraham, you bound [a son] to one altar; I bound [sons] to seven altars." The story concludes with the woman's suicide: she "went up on to a roof and threw herself down and was killed."