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Sonnet 2 is one of 154 sonnets written by the English playwright ... It follows the form's typical rhyme scheme: ... Shakespeare's Sonnet 2 is the second procreation ...
A rhyme scheme is the pattern of rhymes at the end ... is often discussed particularly regarding sonnets. ... lines rhyme at the end, second and fourth lines rhyme at ...
Apart from rhyme, and considering only the arrangement of ideas, and the placement of the volta, a number of sonnets maintain the two-part organization of the Italian sonnet. In that case the term "octave" and "sestet" are commonly used to refer to the sonnet's first eight lines followed by the remaining six lines.
The repeated rhyme scheme within the octave strengthens the idea. The sestet, with either two or three different rhymes, uses its first tercet to reflect on the theme and the last to conclude. William Shakespeare utilized the sonnet in love poetry of his own, employing the sonnet structure conventionalized by English poets Wyatt and Surrey ...
A sonnet is a fixed poetic form with a structure traditionally consisting of fourteen lines adhering to a set rhyming scheme. [1] The term derives from the Italian word sonetto (lit.
In the quatorzain, there is, properly speaking, no sestet, but a quatrain followed by a couplet, as in the case of English sonnets. Another form of sestet has only two rhymes, ABABAB, as is the case in Gray's famous sonnet On the Death of Richard West. The sestet marks the turn of emotion in the sonnet. As a rule, with the octave having been ...
Because of the structure of Italian, the rhyme scheme of the Petrarchan sonnet is more easily fulfilled in that language than in English. The original Italian sonnet form consists of a total of fourteen hendecasyllabic lines in two parts, the first part being an octave and the second being a sestet.
The principle of Ovidian transformations can also be found in and especially between the sonnets. During the first sonnet of Orphic singing, the speech of the forest and the animals is "transformed" into a girl in the second sonnet: And almost a girl it was who emerged / from this joyful unity of song and lyre...