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The first aesthetic layer encourages songwriters to sing and perform their own works and to instill their own stylistic flavors into the song texts. The songwriters are not independent from the works once they are finished; rather, they enter into, activate, and authenticate the song texts through their vocal and musical performances.
How to write a truly excellent fake pop song, as explained by Jeff Richmond and Meredith Scardino, the songwriters of Girls5eva.
The video has been described as following a cottagecore aesthetic, featuring Swift in three different settings: a "cozy cabin" in the woods, a moss-covered forest, and a dark stormy sea, which represents the concept of the different phases in relationships. "Cardigan" was praised by music critics for its poetic songwriting and laid-back sound.
Danny Schwartz of the site HotNewHipHop also praised the song's production and wrote that it is "an accurate summation of the Cashmere Cat aesthetic: a strawberry Starbust of a pop song with an unexpected and enrapturing vocoder-gasm appended to the end."
Surrealist music is music which uses unexpected juxtapositions and other surrealist techniques.Discussing Theodor W. Adorno, Max Paddison defines surrealist music as that which "juxtaposes its historically devalued fragments in a montage-like manner which enables them to yield up new meanings within a new aesthetic unity", [1] though Lloyd Whitesell says this is Paddison's gloss of the term. [2]
Music critics viewed "Betty" as a throwback to Swift's early country-music songs. Many praised its engaging storytelling and commended how her songwriting matured over the course of her career. "Betty" peaked at number six on Hot Country Songs and number 42 on the Billboard Hot 100. It peaked within the top 40 on singles charts in Australia ...
Lori Melton from ticketing company AXS wrote that the list "reads like an iconic student body in a songwriting master class" and complimented the inclusion of female songwriters Carole King, Joni Mitchell, Dolly Parton, Stevie Nicks, Madonna, Chrissie Hynde, Loretta Lynn, Lucinda Williams, and Björk, as well as Taylor Swift, who is the ...
BigFM's staff commended Istrefi's fashion within a "killer aesthetic" and described the song to be a "bit calmer and with less Balkan flair" than her breakthrough single, "BonBon ". [8] Jonathan Currinn from Critic Jonni similarly expressed a similar opinion regarding the song, writing that it's "a definite step in the right direction, showing ...