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In a late creation myth from the Ptolemaic Period (332–30 BC), the god Khonsu is put in a central role, and Hathor is the goddess with whom Khonsu mates to enable creation. [39] Hathor could be the consort of many male gods, of whom Ra was only the most prominent.
Apis came to being considered a manifestation of the king, as bulls were symbols of strength and fertility, qualities that are closely linked with kingship. "Strong bull of his mother Hathor" was a common title for Egyptian gods and male kings, being unused for women serving as king, such as Hatshepsut.
Ihy is a young god in Egypt usually portrayed with the sistrum. This is in allusion to his mother Hathor who was associated with the instrument. Ihy's symbols are the sistrum and a necklace. The name Ihy depicts the joy of playing the hand instrument by Hathor, or "calf." The Egyptians themselves associated the name with the noisemaker. [1]
However, Egyptologists who examined the text closely suggested a loose division of the text into four sections. The first section describes the "Destruction of Mankind", in which humanity plots against the Sun God Ra. After Ra consulting with the other gods, the goddess Hathor is chosen by Ra to act as the violent Eye of Ra. She was to deliver ...
Min – A god of virility, as well as the cities of Akhmim and Qift and the Eastern Desert beyond them [24] Nefertem – A god of the lotus blossom from which the sun god rose at the beginning of time Son of Ptah and Sekhmet [25] Osiris – A god of death and resurrection who rules Duat and enlivens vegetation, the sun god, and deceased souls [26]
In the form of a crocodile, Khonsu travels to the primordial mount to cleanse his mouth of the waters of Nun. There, he copulates with the goddess Hathor-in-Benenet. Through their union, the city of Thebes is born, and Khonsu gives birth to the eight gods of the Ogdoad. The Ogdoad then ascends to the Island of Flames, where they create the sun god.
The myth of the Eye of Ra contrasts feminine aggression with sexuality and nurturing, as the goddess rampages in the form of Sekhmet or another dangerous deity until the other gods appease her, at which point she becomes a benign goddess such as Hathor who, in some versions, then becomes the consort of a male god.
Hathor was the goddess of music and making music was serving Hathor. In the New Kingdom the title priestesses of Hathor became very rare, as the title chantress became common and replaced it as title for a female musician in a temple cult. [5]
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