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Female dandies did overlap with male dandies for a brief period during the early 19th century when dandy had a derisive definition of "fop" or "over-the-top fellow"; the female equivalents were dandyess or dandizette. [34] Charles Dickens, in All the Year Around (1869) comments, "The dandies and dandizettes of 1819–20 must have been a strange ...
Fop was a pejorative term for a man excessively concerned with his appearance and clothes in 17th-century England. Some of the many similar alternative terms are: coxcomb, [1] fribble, popinjay (meaning 'parrot'), dandy, fashion-monger, and ninny. Macaroni was another term of the 18th century more specifically concerned with fashion.
In the late 18th century, Mary Way and her sister Betsey created portraits that included "dressed miniatures", with fabric, ribbons, and lace affixed to the images. [22] Miniaturist Amalia Küssner Coudert (1863–1932), from Terre Haute, Indiana , was known for her portraits of New York socialites and European royalty in the last decade of the ...
Comprising 10 large-scale portraits in Sarah Ball’s signature airy colors, new exhibit “Titled” challenges gender conventions and celebrates exuberant self-expression.
George Bryan "Beau" Brummell (7 June 1778 – 30 March 1840) [1] was an important figure in Regency England, and for many years he was the arbiter of British men's fashion.At one time, he was a close friend of the Prince Regent, the future King George IV, but after the two quarrelled and Brummell got into debt, he had to take refuge in France.
Fancy pictures are a sub-genre of genre paintings in 18th-century English art, featuring scenes of everyday life but with an imaginative or storytelling element, usually sentimental. The usage of the term varied, and there was often an overlap with the conversation piece , a type of group portrait showing the subjects engaged in some activity.
Pages in category "18th-century portraits" The following 100 pages are in this category, out of 100 total. This list may not reflect recent changes. A.
At the time, homosexuality was frowned upon, and was even punishable by death. Many modern critics view the macaroni as representing a general change in 18th-century British society such as political change, class consciousness, new nationalisms, commodification, and consumer capitalism. [4]