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Naturalism is a literary movement beginning in the late nineteenth century, similar to literary realism in its rejection of Romanticism, but distinct in its embrace of determinism, detachment, scientific objectivism, and social commentary. Literary naturalism emphasizes observation and the scientific method in the fictional portrayal of reality.
Verismo is a derivative of naturalism and realism that began in post-unification Italy. Verismo literature uses detailed character development based on psychology, in Giovanni Verga's words 'the science of the human heart. [42] [43] ' Giovanni Verga, Luigi Capuana, Matilde Serao, Grazia Deledda: Social realism
3. Therefore, if naturalism is true, then no belief is rationally inferred (from 1 and 2). 4. We have good reason to accept naturalism only if it can be rationally inferred from good evidence. 5. Therefore, there is not, and cannot be, good reason to accept naturalism. [1] In short, naturalism undercuts itself.
Methodological naturalism, the second sense of the term "naturalism", (see above) is "the adoption or assumption of philosophical naturalism … with or without fully accepting or believing it.” [25] Robert T. Pennock used the term to clarify that the scientific method confines itself to natural explanations without assuming the existence or ...
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's Les Fleurs du mal.
Naturalism was an outgrowth of literary realism, influenced by Charles Darwin's theory of evolution. [26] Whereas realism seeks only to describe subjects as they really are, naturalism also attempts to determine "scientifically" the underlying forces (e.g., the environment or heredity) influencing the actions of its subjects. [ 27 ]
The term naturalistic fallacy is sometimes used to label the problematic inference of an ought from an is (the is–ought problem). [3] Michael Ridge relevantly elaborates that "[t]he intuitive idea is that evaluative conclusions require at least one evaluative premise—purely factual premises about the naturalistic features of things do not entail or even support evaluative conclusions."
Interest in the relationship between Darwinism and the study of literature began in the nineteenth century, for example, among Italian literary critics. [2] For example, Ugo Angelo Canello argued that literature was the history of the human psyche, and as such, played a part in the struggle for natural selection, while Francesco de Sanctis argued that Emile Zola "brought the concepts of ...