Search results
Results from the WOW.Com Content Network
In dance (particularly ballet), arabesque (French: [aʁabɛsk]; literally, "in Arabic fashion") is a body position in which a dancer stands on one leg (the supporting leg) with the other leg (the working leg) extended, straight, behind the body. The arm positions can vary and are generally allongé.
Chassé in ballet. The chassé (French:, French for 'chased'; sometimes anglicized to chasse / ʃ æ ˈ s eɪ, ʃ æ s /) is a dance step used in many dances in many variations. All variations are triple-step patterns of gliding character in a "step-together-step" pattern. The word came from ballet terminology.
This ballet brought Marie Taglioni before the French public. She was the first to dance en pointe for artistic reasons rather than spectacle and was also the first to wear the white, bell-shaped, calf-length ballet skirt now considered an essential feature of the romantic ballet. [ 10 ]
Ballet Comique de la Reine, 1581; Ballet de la Merlaison, 1635; Ballet égyptien, Alexandre Luigini, 1875; Ballet Royal de la Nuit, Jean-Baptiste Lully, 1653; Ballo della Regina, to music by Giuseppe Verdi, 1978; Il ballo delle ingrate, Claudio Monteverdi, 1608; The Bandits, Ludwig Minkus, 1875; Bar aux Folies-Bergère, to music by Emmanuel ...
a card game; also a ballet position. échappé dance movement foot position. éclair a cream and chocolate icing pastry. éclat great brilliance, as of performance or achievement. Conspicuous success. Great acclamation or applause. [24] écorché flayed; biological graphic or model with skin removed. élan a distinctive flair or style. élan vital
The French method is the basis of all ballet training. When Louis XIV created the Académie Royale de Danse in 1661, he helped to create the codified technique still used today by those in the profession, regardless of what method of training they adhere to. The French school was particularly revitalized under Rudolf Nureyev, in the 1980s
Arabesque position with working leg à la hauteur, forming a 90° angle with supporting leg Arabesque penchée. Arabesque (French:; literally, "in Arabic fashion") in dance, particularly ballet, is a body position in which a dancer stands on one leg–the supporting leg–with the other leg–the working leg–turned out and extended behind the body, with both legs held straight.
The Afternoon of a Faun (French: L'Après-midi d'un faune) is a ballet choreographed by Vaslav Nijinsky for the Ballets Russes, and was first performed in the Théâtre du Châtelet in Paris on 29 May 1912. Nijinsky danced the main part himself. The ballet is set to Claude Debussy's symphonic poem Prélude à l'après-midi d'un faune.