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Today, torchère lamps use fluorescent, halogen, or LED light bulbs. Adjusting the pulse-width modulation in the electronic ballast can allow the fluorescent torchères to be dimmed. Halogen torchères usually came with a simple switch. Some more expensive models have a TRIAC dimmer circuit built into the stem. Early lamps with 300W bulbs ...
In the metropolitan culture of France, French furniture, connoting Parisian furniture, embodies one of the mainstreams of design in the decorative arts of Europe, extending its influence from Spain to Sweden and Russia, from the late seventeenth century to the last craft traditions in workshops like Jacques-Emile Ruhlmann, which came to an end only with the Second World War.
Prominently makers, from the 1890s onwards, are in France René Lalique, Emile Gallé and the Daum brothers, the American Louis Comfort Tiffany, Christopher Dresser in Scotland and England, and Friedrich Zitzman, Karl Koepping and Max Ritter von Spaun in Germany. Art Nouveau glass included decorative objects, vases, lamps, and stained glass ...
A Tiffany lamp is a type of lamp made of glass and shade designed by Louis Comfort Tiffany or artisans, mostly women, and made (in originals) in his design studio. The glass in the lampshades is put together with the copper-foil technique instead of leaded, the classic technique for stained-glass windows.
Toleware coffee pot, circa 1940. The term tôle, derived from the French tôle peinte, "painted sheet metal", is synonymous in English usage with japanning on tin, [1] such as the tôle shades for bouillotte lamps and other candle shades, and trays and lidded canisters, in which stenciling and gilding often features, almost always on a black ground.
The Musée des Arts décoratifs (Museum of Decorative Art) of the city of Strasbourg, France, is found on the ground floor of the Palais Rohan, the former city palace of the Prince-Bishops from the Rohan family. One half of the museum is made up of the magnificent chambers in the late baroque, Rococo and Empire styles.
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