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The ceiling before the restoration [c]. The preliminary experimentation for the modern restoration began in 1979. The restoration team comprised Gianluigi Colalucci, Maurizio Rossi, Piergiorgio Bonetti, and others, [6] who took as their guidelines the Rules for restoration of works of art as established in 1978 by Carlo Pietrangeli, director of the Vatican's Laboratory for the Restoration of ...
The Sistine Chapel was restored in the late 1970s and through the 1980s. This was one of the most significant, largest and longest art restoration projects in history. The entire project took twelve years to complete, not taking into account the inspections, planning and approval of the project.
The Sistine Chapel's ceiling restoration began on 7 November 1984. When the restoration was completed, the chapel was re-opened to the public on 8 April 1994. The part of the restoration in the Sistine Chapel that has caused the most concern is the ceiling, painted by Michelangelo.
There are only 1,999 sets of 'The Sistine Chapel' and publisher Nicholas Callaway donated one to the Society of the Four Arts, where he spoke
The Creation of Adam (Italian: Creazione di Adamo), also known as The Creation of Man, [2]: plate 54 is a fresco painting by Italian artist Michelangelo, which forms part of the Sistine Chapel's ceiling, painted c. 1508 –1512. [3] It illustrates the Biblical creation narrative from the Book of Genesis in which God gives life to Adam, the ...
Sistine Chapel, Rome The Youth of Moses or The Trials of Moses is a fresco by the Italian Renaissance painter Sandro Botticelli and his workshop, executed in 1481–1482 in the Sistine Chapel , Rome (modern-day Italy).
Wikipedia: Featured article review/Restoration of the Sistine Chapel frescoes/archive1
Colalucci began working with the Vatican in 1960, and between 1980 and 1994 led the restoration of the Sistine Chapel frescoes, directing a team of twelve, [4] and removing centuries of smoke, dust, glue, varnishes, and wine which had dulled the frescoes, [5] [1] [2] as well as allowing art historians to visit the chapel during this work and ...