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Deliver the poor and needy: rid them out of the hand of the wicked. They know not, neither will they understand; they walk on in darkness: all the foundations of the earth are out of course. I have said, Ye are gods; and all of you are children of the most High. But ye shall die like men, and fall like one of the princes.
The poem contains 2126 dodecasyllabic lines, with caesurae after the sixth syllable, composed in six books (libars). The linguistic basis of the book is Split Čakavian speech and the Štokavian lexis, and the Glagolitic original of the legend; the work thus foreshadows the unity of Croatian language.
In the King James Version of the Bible the text reads: And he saith unto them, Why are ye fearful, O ye of little faith? Then he arose, and rebuked the winds and the sea; and there was a great calm. The New International Version translates the passage as: He replied, "You of little faith, why are you so afraid?"
Not even the parallelismus membrorum is an absolutely certain indication of ancient Hebrew poetry. This "parallelism" occurs in the portions of the Hebrew Bible that are at the same time marked frequently by the so-called dialectus poetica; it consists in a remarkable correspondence in the ideas expressed in two successive units (hemistiches, verses, strophes, or larger units); for example ...
Hebrew Bible text of Deuteronomy 32:1–4 as written in a Jewish Sefer Torah.. According to verses 16–18 of Deuteronomy 31, [5] YHVH met with Moses and his nominated successor Joshua at the "tabernacle of meeting" and told them that after Moses' death, the people of Israel would renege on the covenant that YHVH had made with them, and worship the gods of the lands they were occupying.
In 1455 a group of nuns in Wennigsen, resisting the attempt of the Augustinian canon Johannes Busch and Duke William of Brunswick to reform their house, "lay down on their bellies in the choir with the arms and legs stretched out in the form of a cross, and bawled all through, at the top of their voices, the anthem "In the midst of life we are ...
Piers Ploughman Decoration "God Spede the Plough" is an early 16th-century manuscript poem that borrows twelve stanzas from Geoffrey Chaucer's Monk's Tale.It is a short satirical complaint listing the various indolent members of the clergy who will demand a share of the ploughman's harvest, rendering his work futile.
The poems of the Junius Manuscript, especially Christ and Satan, can be seen as a precursor to John Milton's 17th-century epic poem Paradise Lost. It has been proposed that the poems of the Junius Manuscript served as an influence of inspiration to Milton's epic, but there has never been enough evidence to prove such a claim (Rumble 385).