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Asia Art Archive (AAA) is a nonprofit organisation based in Hong Kong that documents the recent history of contemporary art in Asia within an international context. AAA incorporates material that members of local art communities find relevant to the field, and provides educational and public programming.
Rubin Museum of Art: United States New York, New York Himalayas Seattle Asian Art Museum: United States Seattle, Washington Shanghai Museum: China Shanghai 120,000 [29] China Tikotin Museum of Japanese Art: Israel Haifa Tokyo National Museum: Japan Tokyo 120,000 [30] Japan Victoria & Albert Museum: United Kingdom London 130,000 [31] Vancouver ...
Pages in category "Asian art museums in New York (state)" The following 12 pages are in this category, out of 12 total. This list may not reflect recent changes .
An authority on modern and contemporary Asian art and transnational art studies, Munroe is Senior Curator and Director, Curatorial Affairs, Guggenheim Abu Dhabi and Senior Curator, Asian Art and Senior Advisor, Global Arts, at the Solomon R. Guggenheim Museum and Foundation, New York, positions created for her since she joined the museum in 2006.
The Astor Court, located in the Metropolitan Museum of Art in New York City, is a re-creation of a Ming dynasty-style, Chinese-garden courtyard. It is also known as the Ming Hall (明軒). The first permanent cultural exchange between the U.S. and the People's Republic of China, [1] the installation was completed in 1981.
Art council building (formerly Societeit De Harmonie), Makassar, South Sulawesi, 1910 Asy-Syuro Mosque, Garut, West Java, 1936 Balai Pertemuan, Palembang, South Sumatra, 1920s
520 West 28th Street, also known as the Zaha Hadid Building, is located in New York City. Designed by the architect Zaha Hadid, the building was her only residential building in New York [2] and one of her last projects before her death. [3] The building is located along the High Line.
He is a co-founder of the Asia Art Archive (AAA) in Hong Kong and a guest professor of the China Academy of Art in Hangzhou. [2] The New York Times described him as "a force in contemporary Chinese art since the 1980s", [ 3 ] and Sotheby's described him as "the godfather of contemporary Chinese art".