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"Lovefool" is a song written by Peter Svensson and Nina Persson for Swedish rock band the Cardigans' third studio album, First Band on the Moon (1996). It was released as the album's lead single on 10 August 1996 in Japan.
AllMusic critic John Bush viewed First Band on the Moon as a return to the "mood and feel" of the Cardigans' 1994 debut album Emmerdale, with a new lyrical focus on "unfaithful lovers" and, in the case of "Lovefool", "unrequited affection".
The Cardigans are a Swedish rock band formed in Jönköping, Sweden in 1992. [2] The main lineup of the band consisted of guitarist Peter Svensson, bassist Magnus Sveningsson, drummer Bengt Lagerberg, keyboardist Lars-Olof Johansson and lead singer Nina Persson. Post-hiatus shows since 2012 have been with Oskar Humlebo on guitar instead of ...
“Lovefool,” by the Swedish pop-rock band the Cardigans, is one of those songs for me. It takes me back to a very specific time in my life: about 25 years ago, when I was a junior in high ...
"Lovefool" on William Shakespeare's Romeo + Juliet: Music from the Motion Picture (1996) "Carnival" on Original Soundtrack: Austin Powers: International Man of Mystery (1997) "War" on A Life Less Ordinary Soundtrack (1997) "Deuce" on The X-Files: The Album (1998) "War" on 10 Things I Hate About You: Music from the Motion Picture (1999) [33]
Nina Elisabet Persson (Swedish: [ˈnîːna ˈpæ̌ːʂɔn] ⓘ; born 6 September 1974) is the lead singer and lyricist for the Swedish rock band The Cardigans. She also has worked as a solo artist, releasing two albums as A Camp [1] and one under her own name, and has appeared as a guest artist with several other acts.
"Hero" Mariah Carey: 1993 Written by Carey and Walter Afanasieff [36] [37] "Heaven Is a Place on Earth" Belinda Carlisle: 1987 Written by Rick Nowels and Ellen Shipley [38] "All by Myself" Eric Carmen: 1975 Written by Eric Carmen [39] "Lovefool" The Cardigans: 1996
Although the song "Lovefool" by The Cardigans was featured in the film, it too was not featured in the soundtrack. Music composer John Ottman had originally created an entire musical score for the film but it was rejected [1] and Ed Shearmur was hired to compose new music. Ottman's score was moody and sophisticated, but the producers had ...