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  2. Comparison of audio coding formats - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_audio_coding...

    For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint. First public release date is first of either specification publishing or source releasing, or in the case of closed-specification, closed-source codecs ...

  3. Advanced Audio Coding - Wikipedia

    en.wikipedia.org/wiki/Advanced_Audio_Coding

    Advanced Audio Coding is designed to be the successor of the MPEG-1 Audio Layer 3, known as MP3 format, which was specified by ISO / IEC in 11172-3 (MPEG-1 Audio) and 13818-3 (MPEG-2 Audio). Improvements include: more sample rates (from 8 to 96 kHz) than MP3 (16 to 48 kHz); up to 48 channels (MP3 supports up to two channels in MPEG-1 mode and ...

  4. Sound quality - Wikipedia

    en.wikipedia.org/wiki/Sound_quality

    Sound quality is typically an assessment of the accuracy, fidelity, or intelligibility of audio output from an electronic device. Quality can be measured objectively, such as when tools are used to gauge the accuracy with which the device reproduces an original sound; or it can be measured subjectively, such as when human listeners respond to ...

  5. High-resolution audio - Wikipedia

    en.wikipedia.org/wiki/High-resolution_audio

    High-resolution audio. High-resolution audio (high-definition audio or HD audio) is a term for audio files with greater than 44.1 kHz sample rate or higher than 16-bit audio bit depth. It commonly refers to 96 or 192 kHz sample rates. However, 44.1 kHz/24-bit, 48 kHz/24-bit and 88.2 kHz/24-bit recordings also exist that are labeled HD Audio.

  6. Vorbis - Wikipedia

    en.wikipedia.org/wiki/Vorbis

    The new libvorbis v1.2 usually compresses better than these values (effective bitrate may vary). Quality Nominal bitrate Official Xiph.Org Foundation Vorbis -q-1 45 kbit/s 48 kbit/s -q0 64 kbit/s -q1 80 kbit/s -q2 96 kbit/s -q3 112 kbit/s -q4 128 kbit/s -q5 160 kbit/s -q6 192 kbit/s -q7 224 kbit/s -q8 256 kbit/s -q9 320 kbit/s -q10

  7. Opus (audio format) - Wikipedia

    en.wikipedia.org/wiki/Opus_(audio_format)

    Possible bitrate and latency combinations compared with other audio formats. Opus supports constant and variable bitrate encoding from 6 kbit/s to 510 kbit/s (or up to 256 kbit/s per channel for multi-channel tracks), frame sizes from 2.5 ms to 60 ms, and five sampling rates from 8 kHz (with 4 kHz bandwidth) to 48 kHz (with 20 kHz bandwidth, the human hearing range).

  8. High-Efficiency Advanced Audio Coding - Wikipedia

    en.wikipedia.org/wiki/High-Efficiency_Advanced...

    Evolution from MPEG-2 AAC-LC (Low Complexity) Profile and MPEG-4 AAC-LC Object Type to HE-AAC v2 Profile. [2] High-Efficiency Advanced Audio Coding (HE-AAC) is an audio coding format for lossy data compression of digital audio defined as an MPEG-4 Audio profile in ISO / IEC 14496–3. It is an extension of Low Complexity AAC (AAC-LC) optimized ...

  9. Windows Media Audio - Wikipedia

    en.wikipedia.org/wiki/Windows_Media_Audio

    At 32 kbit/s, [permanent dead link] WMA Standard was noticeably better than LAME MP3, but not better than other modern codecs in a collective, independent test in July 2004. At 48 kbit/s Archived 2014-07-08 at the Wayback Machine , WMA 10 Pro was ranked second after Nero HE-AAC and better than WMA 9.2 in an independent listening test organized ...