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Data compression. In information theory, data compression, source coding, [1] or bit-rate reduction is the process of encoding information using fewer bits than the original representation. [2] Any particular compression is either lossy or lossless. Lossless compression reduces bits by identifying and eliminating statistical redundancy.
Data compression ratio is defined as the ratio between the uncompressed size and compressed size: [1][2][3][4][5] Thus, a representation that compresses a file's storage size from 10 MB to 2 MB has a compression ratio of 10/2 = 5, often notated as an explicit ratio, 5:1 (read "five" to "one"), or as an implicit ratio, 5/1.
Comparison of video codecs. Α video codec is software or a device that provides encoding and decoding for digital video, and which may or may not include the use of video compression and/or decompression. Most codecs are typically implementations of video coding formats. The compression may employ lossy data compression, so that quality ...
A sequence of video frames, consisting of two keyframes (I), one forward-predicted frame (P) and one bi-directionally predicted frame (B). Three types of pictures (or frames) are used in video compression: I, P, and B frames. An I‑frame (Intra-coded picture) is a complete image, like a JPG or BMP image file. A P‑frame (Predicted picture ...
HEVC / H.265 / MPEG-H Part 2. High Efficiency Video Coding (HEVC), also known as H.265 and MPEG-H Part 2, is a video compression standard designed as part of the MPEG-H project as a successor to the widely used Advanced Video Coding (AVC, H.264, or MPEG-4 Part 10). In comparison to AVC, HEVC offers from 25% to 50% better data compression at the ...
Streaming media refers to multimedia for playback using an offline or online media player that is delivered through a network.Media is transferred in a "stream" of packets from a server to a client and is rendered in real-time; [1] this contrasts with file downloading, a process in which the end-user obtains an entire media file before consuming the content.
ITU-T Rec. P.1203.1: Video This is a metric that is part of the P.1203 family of standards, which can use either metadata only (codec, resolution, bitrate, framerate), frame information (frame types and sizes), or the entire bitstream to analyze the quality of a compressed video. It is primarily intended to be used in the context of HTTP ...
50. Shot on digital video in interlaced 50 fps. Shown in cinemas in 24 fps. The original 50 fps presentation is not in any home video release. Love & Pop. Hideaki Anno. Japanese. 60. Shot on digital video in interlaced 60 fps, with some scenes shot on 35 mm movie film in 24 fps.
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