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In the past, Western art historians have considered use of Western art media or exhibiting in international art arena as criteria for "modern" Native American art history. [47] Native American art history is a new and highly contested academic discipline, and these Eurocentric benchmarks are followed less and less today.
Example of Native American peyote stitch from Oklahoma. The peyote stitch, also known as the gourd stitch, is an off-loom bead weaving technique. Peyote stitch may be worked with either an even or an odd number of beads per row. Both even and odd count peyote pieces can be woven as flat strips, in a flat round shape, or as a tube.
The technique has been used by Native Americans and in Africa, the Middle East and South America. Guatemalan examples use beads of size 22/0 and smaller. [1] This is an off-loom technique perfected by Native Americans. It is a relative of another off-loom technique called peyote stitch or gourd stitch. [2]
Native American beadwork, already established via the use of materials like shells, dendrite, claws, and bone, evolved to incorporate glass beads as Europeans brought them to the Americas beginning in the early 17th century. [20] [21] Native beadwork today heavily utilizes small glass beads, but artists also continue to use traditionally ...
Native Americans used multiple techniques and still continue the tradition today. Peyote stitch was taught to Native Americans by Europeans. Loom beading was the last technique to be invented. Within the Americas, bead embroidery was first used by the Native Americans of the Great Lakes region.
Textile arts and fiber arts include fabric that is flexible woven material, as well as felt, bark cloth, knitting, embroidery, [1] featherwork, skin-sewing, beadwork, and similar media. Textile arts are one of the earliest known industries. [1] Basketry is associated with textile arts. [2]
Jackie Larson Bread is a Native American beadwork artist from the Blackfeet Reservation in Browning, Montana. [1] Her interest in bead work was sparked from looking at her late-grandmother's beaded pieces. [2] In awe of these objects, Bread self-taught herself how to bead when she was younger and now, she has been beading for more than 20 years.
Marcus Amerman (born 1959) is a Native American (Choctaw Nation) beadwork artist, glass artist, painter, fashion designer, and performance artist, living in Idaho. He is known for his highly realistic beadwork portraits.