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She wears a balzo (a fashion invention of Isabella d'Este (prototypes before 1509 [2]), but widely popular in northern Italy in the 1530s). Her clothes are dark; she wears green patterned sleeves, a gold shirt and a fur (probably lynx). The canvas has been trimmed on the left and right.
The woman seems to be of high social status, judging by her rich clothing and jewelry. He has blonde hair, is depicted with a serene facial expression, at half-length turned three-quarters. She wears an aristocratic dress adorned with embroidery and trim "with sleeves and shoulders in white", while in her right hand she holds a pearl tied ...
La Bella is a portrait of a woman by Titian in the Palazzo Pitti in Florence.The painting shows the subject with the ideal proportions for Renaissance women. [1] In parallel the stringent composition corresponds to Titian's real portraits.
Image Title Date Dimensions Collection Detroit Trio (The Appeal) : c. 1500 84.5 x 69.2 cm Detroit Institute of Arts (Detroit). Also attributed to Giorgione and Sebastiano del Piombo
Francesco Valcanover, L'opera completa di Tiziano, Rizzoli, Milano 1969. Segal, Muriel. Painted Ladies: Models of the Great Artists. New York: Stein and Day, 1972. Bestor, Jane Fair. "Titian's Portrait of Laura Eustochia: The Decorum of Female Beauty and the Motif of the Black Page." Renaissance Studies 17, no. 4 (2003): 628-73. Cook, Herbert.
In reality, the lady portrayed would have been part of the nobility of the time, with a costume compatible with that of the wealthy women of the territories controlled by the Republic of Venice. Some people have tried to identify the woman as Catherine Cornaro , a hypothesis without any confirmation.
Erotic though it is, as Vasari notes, her nudity refers to the medieval legend that her clothes fell apart during the thirty years she spent repenting in the desert after the Ascension of Jesus. Indeed, most of the many depictions of the subject in art showed the Magdalen with no clothing at all, or just a loose wrap, as in Titian's later ...
Isabella d'Este (19 May 1474 – 13 February 1539) was the Marchioness of Mantua and one of the leading women of the Italian Renaissance as a major cultural and political figure. She was a patron of the arts as well as a leader of fashion and her innovative style of dressing was emulated by many women.
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