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On the clarinet, the register key is used to play in the second register; that is, it raises the pitch of most first-register notes by a twelfth (19 semitones) when pressed. It is positioned above the left thumb hole and is operated by the left thumb.
Karl Leister (born 15 June 1937) is a classical clarinet player from Wilhelmshaven, Germany.At a very young age, he learned to play the clarinet from his father, also a clarinetist, and later studied at the Hochschule für Musik in Berlin.
Iwan Müller 13 keys clarinet by Iwan Müller countersunk tone hole with conical ring in comparison with a simple tone hole. Iwan Müller, sometimes spelled Iwan Mueller (14 December 1786, Reval, Governorate of Estonia – 4 February 1854, Bückeburg), was a clarinetist, composer and inventor who at the beginning of the 19th century was responsible for a major step forward in the development ...
The unmodified word clarinet usually refers to the B ♭ clarinet, which is by far the most common type. The term soprano also applies to the clarinets in A and C, and even the low G clarinet—rare in Western music but popular in the folk music of Turkey—which sounds a whole tone lower than the A.
Oehler-system clarinet and Full-Oehler clarinet with bell mechanism to correct low E and F The Oehler system (also spelled Öhler ) is a system for clarinet keys developed by Oskar Oehler . Based on the Müller system clarinet, the system adds tone holes to correct intonation and acoustic deficiencies, notably of the alternately-fingered notes ...
He has made an effort to play new music for the clarinet, and has had several works composed for him. Composers include: Toru Takemitsu ("Waves" and a concerto for clarinet and orchestra), Steve Reich ("New York Counterpoint"), Lukas Foss , Roberto Carnevale , and Einar Englund (clarinet concertos).
The invention of the alto clarinet has been attributed to Iwan Müller and to Heinrich Grenser, [2] and to both working together. [3] Müller was performing on an alto clarinet in F by 1809, one with sixteen keys at a time when soprano clarinets generally had no more than 10–12 keys; Müller's revolutionary thirteen-key soprano clarinet was developed soon after. [3]
The contra-alto clarinet is higher-pitched than the contrabass and is pitched in the key of E ♭ rather than B ♭.The unhyphenated form "contra alto clarinet" is also sometimes used, as is "contralto clarinet", but the latter is confusing since the instrument's range is much lower than the contralto vocal range; the more correct term "contra-alto" is meant to convey, by analogy with ...
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