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Balto-Finnic music is a category of music of Balto-Finnic people, that overlaps with both Nordic folk music of Nordic countries and Baltic folk music of Baltic states. Finland's musical ties are primarily to the Balto-Finnic peoples of Russia and Estonia (Cronshaw, 91). Runic singing was practiced throughout the area inhabited by these peoples.
Traditional Nordic dance music is a type of traditional music or folk music that once was common in the mainland part of the Nordic countries — Scandinavia plus Finland. The person who plays this kind of music might be called speleman (Swedish/Norwegian), spelman (Swedish), spel(l)emann (Norwegian), pelimanni (Finnish) or spillemand (Danish).
Norway shares some Nordic dance music tradition with its neighbouring countries of Sweden and Denmark, where the most typical instrument is the fiddle. In Norway, the Hardanger fiddle (hardingfele), the most distinctive instrument in Norwegian folk music, looks and plays like a standard violin. It is only to be found primarily in the western ...
Swedish folk music is a genre of music based largely on folkloric collection work that began in the early 19th century in Sweden. [1] The primary instrument of Swedish folk music is the fiddle . Another common instrument, unique to Swedish traditions, is the nyckelharpa .
The folk music band JPP at the 2015 Kaustinen Folk Music Festival in Kaustinen, Finland. Pelimanni music is the Finnish version of Nordic folk dance music, and it is tonal.It came to Finland from Central Europe via Scandinavia in the 17th century, and in the 19th century, it replaced the Kalevalaic tradition.
Music in Sweden is a vital part of Swedish culture, as evidenced by the national success of musical shows like Allsång på Skansen and Melodifestivalen. [1] Swedish music has also included more modern and influences. On a per capita basis, Sweden is the world's most successful exporter of music. [2]
Sweden was the last of the Scandinavian countries to be Christianised, with pagan resistance apparently strongest in Svealand, where Uppsala was an old and important ritual site as evidenced by the tales of Uppsala temple. [1] [2] Like the rest of Scandinavia, Sweden had significant artistic, musical and literary traditions during the Viking ...
The song has a high-pitched vocal technique, i.e. a loud call using head tones, so that it can be heard or be used to communicate over long distances.It has a fascinating and haunting tone, often conveying a feeling of sadness, in large part because the kulokks often include typical half-tones and quarter-tones (also known as "blue tones") found in the music of the region.