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Romans used a phalanx for their third military line, the triarii. These were veteran reserve troops armed with the hastae or spear. [26] Rome conquered most of the Hellenistic successor states, along with the various Greek city-states and leagues. As these states ceased to exist, so did the armies which used the traditional phalanx.
Many works of art, like the Doryphoros or the chryselephantine statue of Athena Parthenos, used military objects in their composition, and many others, like the Chigi vase, had warfare as their main subject. Ancient Greek art is an important aspect of not just the history of art, but the history of warfare as well, due to its frequent spot on ...
Articles relating to the phalanx, a rectangular mass military formation, usually composed entirely of heavy infantry armed with spears, pikes, sarissas, or similar polearms. The term is particularly used to describe the use of this formation in Ancient Greek warfare , although the ancient Greek writers used it to also describe any massed ...
A Greek hoplite with muscle cuirass, spear, shield, Corinthian helmet and sheathed sword. Ancient Greek weapons and armor were primarily geared towards combat between individuals. Their primary technique was called the phalanx, a formation consisting of massed shield wall, which required heavy frontal armor and medium-ranged weapons such as ...
The Seleucid army was the army of the Seleucid Empire, one of the numerous Hellenistic states that emerged after the death of Alexander the Great.. As with the other major Hellenistic armies, the Seleucid army fought primarily in the Greco-Macedonian style, with its main body being the phalanx.
Macedonian phalanx. The sarissa or sarisa [note 1] was a long spear or pike about 5 to 7 meters (16 to 23 ft) in length. It was introduced by Philip II of Macedon and was used in his Macedonian phalanxes as a replacement for the earlier dory, which was considerably shorter.
The Romans gained from the Greek influence in other areas: trade, banking, administration, art, literature, philosophy and earth science. [2] In the last century BC it was a must for every rich young man to study in Athens or Rhodes and perfect their knowledge of rhetoric at the large schools of philosophy .
Roman fresco from the Tomb of Esquilino, c. 300-280 B.C. As with the other arts, the art of painting in Ancient Rome was indebted to its Greek antecedents. In archaic times, when Rome was still under Etruscan influence, they shared a linear style learned from the Ionian Greeks of the Archaic period, showing scenes from Greek mythology, daily life, funeral games, banquet scenes with musicians ...