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Origami folders often use the Japanese word kirigami to refer to designs which use cuts. In the detailed Japanese classification, origami is divided into stylized ceremonial origami (儀礼折り紙, girei origami) and recreational origami (遊戯折り紙, yūgi origami), and only recreational origami is generally recognized as origami.
The origami crane diagram, using the Yoshizawa–Randlett system. The Yoshizawa–Randlett system is a diagramming system used to describe the folds of origami models. Many origami books begin with a description of basic origami techniques which are used to construct the models.
The Miura fold is a form of rigid origami, meaning that the fold can be carried out by a continuous motion in which, at each step, each parallelogram is completely flat. This property allows it to be used to fold surfaces made of rigid materials, making it distinct from the Kresling fold and Yoshimura fold which cannot be rigidly folded and ...
Marc Kirschenbaum (born 1969) is an American origami artist, designer, and board member of OrigamiUSA. He is known for creation of complex origami models, including various instrumentalists, insects, and erotic origami works, [1] called "pornigami". He has three books on how to do some of the origami pieces that he has made.
There are two traditional methods for making polyhedra out of paper: polyhedral nets and modular origami.In the net method, the faces of the polyhedron are placed to form an irregular shape on a flat sheet of paper, with some of these faces connected to each other within this shape; it is cut out and folded into the shape of the polyhedron, and the remaining pairs of faces are attached together.
Folding a Sonobe module (1–10) and assembly into a pyramid (11–12); * denote tabs and # denote pockets [10] Each individual unit is folded from a square sheet of paper, of which only one face is visible in the finished module; many ornamented variants of the plain Sonobe unit that expose both sides of the paper have been designed.
Drawings from a three volume set of wood carvings, Ranma-Zushiki (『欄間図式』, "ranma sketches") published in 1743 by Ōoka Shunboku, featured a colored origami cube. In 1993, Yasuo Koyanagi identified the cube as the Tamatebako, and the model was published in the book "Koten-ni-miri-origami" by Satoshi Tagaki.
Origami historian David Mitchell has found many 19th-century European sources mentioning a paper "salt cellar" or "pepper pot" (the latter often folded slightly differently). The first of these to unambiguously depict the paper fortune teller is an 1876 German book for children.
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