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The Kaoss Pad is a sampler and audio effects processor launched by Korg in 1999. [1] It allows users to record and process audio and apply various effects using an X-Y touchscreen . It has been used by artists including Radiohead , Muse and Brian Eno .
Korg Kaoss Pad KP2, an improved re-release of the original Kaoss Pad. Korg Kaoss Pad Entrancer, an audio & visual processor version of Kaoss Pad. [45] Korg Triton Extreme: The successor to the Triton, which added "Valve Force" circuitry, a real vacuum tube circuit. Nicknamed "Russian Bullet," these tubes are rumored to last a minimum of 10 years.
Notes can be played using a 2 octave keyboard or through an interface that detects the X and Y position of the stylus on the touch pad simulating a KORG Kaoss Pad. The Kaoss Pad can also be used to modify volume and pan as well as being able to assign the X or Y values to any of the parameters that can be modified elsewhere.
The Korg Kaossilator Pro. Korg unveiled the Kaossilator Pro on 14 January 2010 at the NAMM Show. [7] The device has a metal casing similar to the Kaoss Pad 3 (KP3), but its touchpad (divided into an 8×8 grid of rectangles) is back-lit with green lights instead of the KP3's red lights.
Korg Kornucopia – Korg analogue synthesizer information, manuals and resources; Korg museum; korgaseries.org – A decade-old online resource hosting photos, product info, effects, mailing list and manuals for Korg's A1, A2 and A3 effects processors. Tsutomu Katoh Interview at NAMM Oral History Collection 16 October 2006.
The Korg 01/W series are workstation synthesizers, the first of which debuted in 1991, and were intended to replace the M1 and T series. The workstation/ROMpler was based on AI² (Advanced Integrated Squared), an improved version of the AI (Advanced Integrated) Synthesis technology found in the M1 (although the advancements of the core synthesis engine were arguably quite minor, except for the ...
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The Kaoss Pad's touchpad can be used to control its internal effects engine, which can be applied to a line-in signal or to samples recorded from the line-in. Effects types include pitch shifting, distortion, filtering, wah-wah, tremolo, flanging, delay, reverberation, auto-panning, gating, phasing, and ring modulation.