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Orpheus played with his lyre a song so heartbreaking that even Hades himself was moved to compassion. The god told Orpheus that he could take Eurydice back with him, but under one condition: she would have to follow behind him while walking out from the caves of the underworld, and he could not turn to look at her as they walked.
Roman mosaic of Orpheus, the mythical poet to whom the Orphic Hymns were attributed, from Palermo, 2nd century AD [32]. The collection's attribution to the mythical poet Orpheus is found in its title, "Orpheus to Musaeus", [33] which sits above the proem in the surviving manuscripts of the collection; [34] this proem, an address to the legendary poet Musaeus of Athens (a kind of address found ...
Orpheus's life. Aornum (Ancient Greek: Ἄορνον) was an oracle in Ancient Greece, located in Thesprotia in a cave called Charonium (Χαρώνειον ἄντρον or χάσμα) which gave forth poisonous vapours. [1] The name of the cave, "Charon's Cave", reflects the belief that it was an entrance for Hades, the Greek underworld. [2]
He calls him the son of Oeagrus , mentions him as a musician and inventor (Ion and Laws bk 3.), refers to the miraculous power of his lyre , and gives a singular version of the story of his descent into Hades: the gods, he says, imposed upon the poet, by showing him only a phantasm of his lost wife, because he had not the courage to die, like ...
"Possente spirto, e formidabil nume" ("Mighty spirit and formidable god") is a key aria [1] from Act 3 of Claudio Monteverdi's opera L'Orfeo, where Orpheus attempts to persuade Charon to allow him to pass into Hades and find Euridice.
In ancient Greek religion, The Gaze of Orpheus is derived from the antiquarian Greek myth of Orpheus and Eurydice.In the story of Orpheus, the poet descends to the underworld to retrieve his wife, Eurydice from premature death, only on Hades’ and Persephone's condition that he does not look at her during the process.
The katabasis of Orpheus in book 10 is the last major inclusion of the theme by Ovid in the Metamorphoses. Orpheus is distraught by the death of his wife, Eurydice . He enters the Underworld through the Spartan Gates and visits Dis and Proserpina to beg for the return of his bride.
The opera opens just as Orpheus is about to reach the end of the corridor. He turns around to make sure Eurydice is still there, thus condemning her to remain in the underworld forever. In a series of arias, the couple sing to each other as Eurydice retreats down the corridor back to the underworld, leaving Orpheus to return to the world alone.