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Nominal ellipsis occurs with a limited set of determinatives in English (cardinal and ordinal numbers and possessive determiners), though it is much freer in other languages. The following examples illustrate nominal ellipsis with cardinal and ordinal numbers: Fred did three onerous tasks because Susan had done two onerous tasks.
Ellipsis is the narrative device of omitting a portion of the sequence of events, allowing the reader to fill in the narrative gaps. Aside from its literary use, the ellipsis has a counterpart in film production. It is there to suggest an action by simply showing what happens before and after what is observed.
In rhetoric, zeugma (/ ˈ zj uː ɡ m ə / ⓘ; from the Ancient Greek ζεῦγμα, zeûgma, lit. "a yoking together" [1]) and syllepsis (/ s ɪ ˈ l ɛ p s ɪ s /; from the Ancient Greek σύλληψις, súllēpsis, lit. "a taking together" [2]) are figures of speech in which a single phrase or word joins different parts of a sentence.
For example, the phrase, "John, my best friend" uses the scheme known as apposition. Tropes (from Greek trepein, 'to turn') change the general meaning of words. An example of a trope is irony, which is the use of words to convey the opposite of their usual meaning ("For Brutus is an honorable man; / So are they all, all honorable men").
The example sentence She gave the first talk on gapping, and he gave the first on stripping is the context, whereby the trees focus just on the structure of the noun phrase showing ellipsis. For each of the three theoretical possibilities, both a constituency-based representation (associated with phrase structure grammars ) and a dependency ...
The ellipsis (/ ə ˈ l ɪ p s ɪ s /, plural ellipses; from Ancient Greek: ἔλλειψις, élleipsis, lit. ' leave out ' [ 1 ] ), rendered ... , alternatively described as suspension points [ 2 ] : 19 / dots , points [ 2 ] : 19 / periods of ellipsis , or ellipsis points , [ 2 ] : 19 or colloquially , dot-dot-dot , [ 3 ] [ 4 ] is a ...
(For example: Claim 1: Bob is a person. Therefore, Claim 3: Bob is mortal. The assumption (unstated Claim 2) is that People are mortal). In Aristotelian rhetoric, an enthymeme is known as a "rhetorical syllogism": it mirrors the form of a syllogism, but it is based on opinion rather than fact.
In classical rhetoric, figures of speech are classified as one of the four fundamental rhetorical operations or quadripartita ratio: addition (adiectio), omission (detractio), permutation (immutatio) and transposition (transmutatio).