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The meaning of Jinapanjara is 'the armor of the Buddha'. Jinapanjara is the combination of two words, Jina meaning 'the winner', which is the Buddha, and Panjara meaning 'cage'. Thus, Jinapanjara means 'the cage (which is strong as a piece of armor) that can protect from any dangers and enemies'. [3]
Manila sound is styled as catchy and melodic, with smooth, lightly orchestrated, accessible folk/soft rock, sometimes fused with funk, light jazz and disco.However, broadly speaking, it includes quite a number of genres (e.g. pop, vocal music, soft rock, folk pop, disco, soul, Latin jazz, funk etc.), and should therefore be best regarded as a period in Philippine popular music rather than as a ...
Asian music encompasses numerous musical styles originating in many Asian countries. Musical traditions in Asia A Japanese man playing a shamisen while another sings A Korean gayageum performer A Mongolian musician A Lady Playing the Tanpura ; Rajasthan A musical theatre group in Baghdad
Their Japanese identity may take on extremes, some have completely lost their Japanese identity while others have "returned" to Japan, the homeland of their forebears. There is also a number of contemporary Japanese-mestizos, not associated with the history of the earlier established ones, born either in the Philippines or Japan.
Folk music musical instruments. The music of the Philippines' many Indigenous peoples are associated with the various occasions that shape life in indigenous communities, including day-to-day activities as well as major life-events, which typically include "birth, initiation and graduation ceremonies; courtship and marriage; death and funeral rites; hunting, fishing, planting and harvest ...
In the early 1950s, music piracy started to grow in the Philippines. So, in 1952, major recording companies organized the first recording industry association in the country called the Record Industry Association of the Philippines (RIAP). [1]
Filipino pop songs mainly referred to songs popularized since the 1960s, usually sentimental ballads and movie themes.Major 1960s Filipino pop acts include Pilita Corrales and Nora Aunor. 1960s-styled ballads maintained their popularity into the 1970s, led by female balladeers dubbed "jukebox queens" such as Claire dela Fuente, Imelda Papin and Eva Eugenio, and male artists such as Anthony ...
Shibuya-kei (Japanese: 渋谷系, lit. "Shibuya style") is a microgenre [7] of pop music [1] or a general aesthetic [8] that flourished in Japan in the mid-to-late 1990s. [3] The music genre is distinguished by a "cut-and-paste" approach that was inspired by the kitsch, fusion, and artifice from certain music styles of the past. [9]