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Baroque opera arias and a considerable number of baroque sacred music arias was dominated by the Da capo aria which were in the ABA form. A frequent model of the form began with a long A section in a major key, a short B section in a relative minor key mildly developing the thematic material of the A section and then a repetition of the A section. [4]
Southern European Spanish (Andalusian Spanish, Murcian Spanish, etc.) and several lowland dialects in Latin America (such as those from the Caribbean, Panama, and the Atlantic coast of Colombia) exhibit more extreme forms of simplification of coda consonants: word-final dropping of /s/ (e.g. compás [komˈpa] 'musical beat' or 'compass')
Rhythm changes bridge (B section of an AABA form) in the key of C. Play ⓘ. In music, a section is a complete, but not independent, musical idea. [1] Types of sections include the introduction or intro, exposition, development, recapitulation, verse, chorus or refrain, conclusion, coda or outro, fadeout, bridge or interlude.
Ternary search, a computer science technique for finding the minimum or maximum of a function; Ternary heap, a data structure in computer science; Ternary Golay code, a perfect [11, 6, 5] ternary linear code?:, a ternary conditional operator used for basic conditional expressions in several programming languages
A ternary computer using fiber optics could use dark as 0 and two orthogonal polarizations of light as +1 and −1. [13] The Josephson junction has been proposed as a balanced ternary memory cell, using circulating superconducting currents, either clockwise, counterclockwise, or off. "The advantages of the proposed memory circuit are capability ...
A coda in these genres is sometimes referred to as an "outro", while in jazz, modern church music and barbershop arranging it is commonly called a "tag". One of the most famous codas is found in the 1968 single "Hey Jude" by the Beatles. The coda lasted nearly four minutes, making the song's full length at just over the seven-minute mark.
The second consonant in a complex coda must not be /r/, /ŋ/, /ʒ/, or /ð/ (compare asthma, typically pronounced / ˈ æ z m ə / or / ˈ æ s m ə /, but rarely / ˈ æ z ð m ə /) If the second consonant in a complex coda is voiced, so is the first; An obstruent following /m/ or /ŋ/ in a coda must be homorganic with the nasal
In Spanish dialectology, the realization of coronal fricatives is one of the most prominent features distinguishing various dialect regions. The main three realizations are the phonemic distinction between /θ/ and /s/ (distinción), the presence of only alveolar [] (), or, less commonly, the presence of only a denti-alveolar [] that is similar to /θ/ ().