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Le Tallec's pieces without these marks are likely to be produced between 1930 and 1941. Incrementation of the dating system was done every six-month period from 1941 to 1991, then every year since. By 1978, date of the transfer of the atelier from Belleville to rue de Reuilly in Paris, the date mark starts by R (for Reuilly), then the letter.
Factory marks are essential in the area of porcelain production especially, where they are sometimes also called "backstamps", and where their absence would make authentication much more difficult. [10] It is frequently claimed that the first factory mark on the European porcelain, in the shape of crossed swords, appeared on the Meissen pieces ...
The first pottery, the "Watcombe Terra Cotta Clay Company" [3] (later Watcombe Pottery; acquired in 1901 by the nearby Aller Vale Pottery), was established in 1875 by G. J. Allen, after he discovered a particularly fine clay in the grounds of Watcombe House. [3] [4] [6] Plaque marking the site of Longpark Pottery
Dedham Pottery was an American art pottery company opened by the Robertson Family in Dedham, Massachusetts during the American arts & crafts movement that operated between 1896 and 1943. It was known for its high-fire stoneware characterized by a controlled and very fine crackle glaze with thick cobalt border designs.
Buffalo China, Inc., formerly known as Buffalo Pottery, was a company founded in 1901 in Buffalo, New York as a manufacturer of semi-vitreous, and later vitreous, china. [1] Prior to its acquisition by Oneida Ltd. in 1983, [ 2 ] the company was one of the largest manufacturers of commercial chinaware in the United States.
Frankoma Pottery is an American pottery company located in Glenpool, Oklahoma, but originally based in Sapulpa, Oklahoma. The company is known for its sculptures and dinnerware, although it also produced many other products, including figurines, trivets, and vases. All Frankoma pottery is made in the US from locally excavated clay. [1]
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Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start Kyūshū's non-existent ...
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