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Echostage is a music venue located in the Langdon neighborhood of Washington, D.C. Opened in 2012, the hybrid nightclub and concert hall has over 30,000 square feet of space with a maximum capacity of 3,000 guests. [1] [2] Upon opening, it was the largest nightlife concert venue in D.C. (a distinction it held until The Anthem opened in 2017).
Pages in category "Sports venues in Washington, D.C." This category contains only the following page. This list may not reflect recent changes. M. Maloof Skate Park
This list of theaters and entertainment venues in Washington, D.C. includes present-day opera houses and theaters, cabarets, music halls and other places of live entertainment in Washington, D.C. Current theaters
Pages in category "Defunct sports venues in Washington, D.C." The following 11 pages are in this category, out of 11 total. This list may not reflect recent changes. A.
The 9:30 Club, originally named Nightclub 9:30 and also known simply as the 9:30, is a nightclub and concert venue in Washington, D.C. In 2018, Rolling Stone named the 9:30 Club one of the 10 best live music venues in the United States.
The Black Cat is a nightclub in Washington, D.C., located on 14th Street Northwest in the Shaw/U Street neighborhood. The club was founded in 1993 by former Gray Matter drummer Dante Ferrando, along with a group of investors (including D.C. area native, Nirvana drummer, and future Foo Fighters leader Dave Grohl) [1] [2] and quickly established itself as a venue for independent music.
The 4,200-seat arena is mainly used for basketball; however, there are plans for the facility to also host concerts, community events and other sporting events.The location of the arena was selected due to its proximity to St. Elizabeths Hospital, distance to the greater Washington, D.C. area, location to the Congress Heights station of the Washington Metro, the confluence of the Potomac and ...
This plan was expanded upon by Carter T. Barron in 1947, as a way to memorialize the 150th anniversary of Washington, D.C., as the U.S. national capital. As Vice Chairman of the Sesquicentennial Commission, Barron envisioned an amphitheatre where "all persons of every race, color and creed" in Washington could attend musical, ballet, theater and other performing arts productions.