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However, these dating methods are not always 100% accurate, since a Victorian photographer may have been using up old card stock, or the cabinet card may have been a re-print made many years after the photo was originally recorded. [5] Card stock. 1866–1880: square, lightweight mount; 1880–1890: square, heavy weight card stock; 1890s ...
Victorian headless portraits were a fad in Britain in the late 19th century. In the photographs, the model's head appears separated from the body; often the sitter holds it in their own hands. [ 1 ] Although this genre is called headless portraiture, it is the head that is always present in the photograph, and the body may be absent.
Cameron took up photography at the age of 48, after her daughter gave her a camera as a present. She quickly produced a large body of portraits, and created allegorical images inspired by tableaux vivants, theatre, 15th-century Italian painters, and contemporary artists.
Victorian novels were often quite long, with complicated plots (often centered on marriages) and many characters. #22 Union Soldier With His Family Posing In A Photo. Wife And 2 Daughters. Circa 1860s
Portrait of Sir Robert Peel is an 1838 portrait painting by the English artist John Linnell of the British politician Sir Robert Peel. [ 1 ] The son of a Northern cotton manufacturer Peel rose to the top of the Tory party during the Regency era , serving as Irish secretary and home secretary .
Cottingley Beck, where Frances and Elsie claimed to have seen the fairies. In mid-1917 nine-year-old Frances Griffiths and her mother – both newly arrived in England from South Africa – were staying with Frances's aunt, Elsie Wright's mother, Polly, in the village of Cottingley in West Yorkshire; Elsie was then 16 years old.
Cartes de visite camera with four lenses. Engraving from D. V. Monckhoven. Traité Général Photographie Comprenant tous les Procédés Connus jusqu'à ce Jour; La Théorie de la Photographie Application aux Sciences d’Observation. 1863 1859 carte de visite of Napoleon III by Disdéri, which popularized the carte-de-visite format One of the first cartes de visite of Queen Victoria taken by ...
Elliott & Fry was a Victorian photography studio founded in 1863 by Joseph John Elliott and Clarence Edmund Fry. [1] For a century, the firm's core business was taking and publishing photographs of the Victorian public and social, artistic, scientific and political luminaries.
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