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Edith Blackwell Holden (26 September 1871 – 15 March 1920) was an English artist and art teacher. She was born in Kings Norton, Birmingham. [1] She became famous following the posthumous publication of her Nature Notes for 1906, in facsimile form, as the book The Country Diary of an Edwardian Lady in 1977, which was an enormous publishing success.
Many of her paintings feature a character called "Miss Carter", a woman who always wore pink. [2] In 1971 Jonathan Cape published the first of four books And Miss Carter Wore Pink: Scenes from an Edwardian Childhood, which was an instant success. Editions were then published in German, French, Dutch and Japanese, and a special edition produced ...
An iconic Gibson Girl portrait by its creator, Charles Dana Gibson, circa 1891 The Gibson Girl was the personification of the feminine ideal of physical attractiveness as portrayed by the pen-and-ink illustrations of artist Charles Dana Gibson during a 20-year period that spanned the late 19th and early 20th centuries in the United States. [1]
The Greek Golden Ratio Phi (1.618) is a formula representing aesthetic harmony that has guided proportions in art and architecture for centuries, including in works by Leonardo Da Vinci. Dr.
The Edwardian era corresponds to the French Belle Époque. Despite its brief pre-eminence, the period was characterised by its own unique architectural style, fashion, and lifestyle. Art Nouveau had a particularly strong influence. Artists were influenced by the development of the automobile and electricity, and a greater awareness of human rights.
Gaiety Girls were the chorus girls in Edwardian musical comedies, beginning in the 1890s at the Gaiety Theatre, London, in the shows produced by George Edwardes. The popularity of this genre of musical theatre depended, in part, on the beautiful dancing corps of "Gaiety Girls" appearing onstage in bathing attire and in the latest fashions.
Gallery of Beauties The Nymphenburg Palace seen from its park. The Gallery of Beauties (German: Schönheitengalerie) is a collection of 38 portraits of the most beautiful women from the nobility and bourgeoisie of Munich, Germany, gathered by King Ludwig I of Bavaria in the south pavilion of his Nymphenburg Palace. [1]
Metropolitan Museum of Art, New York Egyptian Woman with Earrings: c. 1890-1891: Portrait: Oil on canvas: 71 cm × 62 cm 28 in × 24 + 1 ⁄ 2 in: Metropolitan Museum of Art, New York Egyptian Woman: c. 1890-1891: Portrait: Oil on canvas: 65 cm × 53 cm 25 + 1 ⁄ 2 in × 21 in: Metropolitan Museum of Art, New York Life Study (Study of an ...
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