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See Red Women's Workshop was a collective screen printing studio which operated between 1974 and 1990 in London, England. [1] The printing studio was run by a feminist collective and produced material that aimed to combat sexist images of women and contribute towards the visual culture of the Women's Liberation Movement . [ 2 ]
Geraldine Whittington (September 11, 1931 – January 24, 1993) was the personal executive secretary to President Lyndon B. Johnson, and was the first African-American secretary in the White House. Johnson was famous for working long hours and insisting his assistants worked long hours as well.
Frances Perkins became the first woman to serve in a president's cabinet when she was appointed Secretary of Labor by President Franklin D. Roosevelt in 1933. [2] Patricia Roberts Harris was the first African-American woman and the first woman of color to serve in a presidential cabinet when she was named Secretary of Housing and Urban ...
The same as it was in the 1950s: secretary. About 4 million workers in the United States fell under the category of "secretaries and administrative Why 'Secretary' Is Still The Top Job For Women
Secretary is a 2002 American erotic romance film directed by Steven Shainberg from a screenplay by Erin Cressida Wilson, based on the 1988 short story of the same name by Mary Gaitskill. [ 2 ] [ 5 ] [ 6 ] Starring Maggie Gyllenhaal and James Spader , the film explores the intense relationship between a dominant lawyer and his submissive ...
My Dear Secretary is a 1948 American comedy film written and directed by Charles Martin (1910-1983) and starring Laraine Day, Kirk Douglas, Keenan Wynn, and Helen Walker. The supporting cast features Rudy Valee , Alan Mowbray and Irene Ryan .
After Jimmy Carter won the Presidency in 1977, he and his incoming Labor Secretary Marshall asked Herman to be director of the Labor Department's Women's Bureau. [3] At age 29, she was the youngest person to hold the position, [ 11 ] [ 12 ] which required her to work towards improving business opportunities for women. [ 13 ]
The picture juxtaposes the similarities between the soft oval white face of the model, as if she were a living mask, with the shiny black mask, also with eyes closed and a serene expression. [4] It also expresses the artist's interest in African art, which had a huge influence in the artistic movements of the first decades of the 20th century.