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Serpentine lines from Hogarth's The Analysis of Beauty. Line of beauty is a term and a theory in art or aesthetics used to describe an S-shaped curved line (a serpentine line) appearing within an object, as the boundary line of an object, or as a virtual boundary line formed by the composition of several objects.
Line art or line drawing is any image that consists of distinct straight lines or curved lines placed against a background (usually plain). Two-dimensional or three-dimensional objects are often represented through shade (darkness) or hue . Line art can use lines of different colors, although line art is usually monochromatic.
Two intersecting lines. In Euclidean geometry, the intersection of a line and a line can be the empty set, a point, or another line.Distinguishing these cases and finding the intersection have uses, for example, in computer graphics, motion planning, and collision detection.
There are different types of lines artists may use, including, actual, implied, vertical, horizontal, diagonal and contour lines, which all have different functions. [3] Lines are also situational elements, requiring the viewer to have knowledge of the physical world in order to understand their flexibility, rigidity, synthetic nature, or life. [1]
Twisting and curving line forms have a long history in art and design. Whiplash curves have similarities with the arabesque design, used particularly in Islamic art, such as the ceramic tiles of the mosque of Samarkand in Central Asia. Curvilinear design is a noticeable element of Gothic architecture, in, for example, church window tracery.
Meanders are common decorative elements in Greek and Roman art. In ancient Greece they appear in many architectural friezes, and in bands on the pottery of ancient Greece from the Geometric period onward. The design is common to the present-day in classicizing architecture, and is adopted frequently as a decorative motif for borders for many ...
“Art has the power to elicit a response in the viewer," Long said. "It can ignite an internal dialogue as well as inspire conversations with others. This mural is bound to draw attention to ...
An example of the Ponzo illusion. Both of the horizontal yellow lines are the same length. The Ponzo illusion is a geometrical-optical illusion that takes its name from the Italian psychologist Mario Ponzo (1882–1960). Ponzo never claimed to have discovered it, and it is indeed present in earlier work.