Search results
Results from the WOW.Com Content Network
Mia Tavonatti is an American artist and writer known for her large installation mosaics inspired by Renaissance imagery and contemporary sculptural abstracts. Tavonatti received first place at Art Prize in 2011 for her 9'w x 13'h stained glass mosaic Crucifixion and runner up in 2010 for her 7'h x 13'w mosaic Svelata.
Crucifixions and crucifixes have appeared in the arts and popular culture from before the era of the pagan Roman Empire.The crucifixion of Jesus has been depicted in a wide range of religious art since the 4th century CE, frequently including the appearance of mournful onlookers such as the Virgin Mary, Pontius Pilate, and angels, as well as antisemitic depictions portraying Jews as ...
The Crucifixion Between Saints Jerome and Christopher is a painting by the Italian Renaissance master Pinturicchio, painted around 1475 and housed in the Borghese Gallery of Rome, Italy. It is one of the earliest known works by the Umbrian painter, after some of the panels of the Miracles of Saint Bernardino cycle (1473).
"Crucifixion styles by contemporary artists seek to show Christ in all of us and what we do to one another, particularly in terms of violence," Daprile said. Reach Charita at 330-580-8313 or ...
Women at the cross: Matthew 27:55–56 many women ... who had followed Jesus from Galilee, ministering to him, among whom were Mary Magdalene and Mary the mother of James and Joseph and the mother of the sons of Zebedee Mark 15:40 women ... among whom were Mary Magdalene, and Mary the mother of James the younger and of Joses, and Salome Luke 23:49
Christ on the Cross is a 1631 oil-on-canvas painting by Rembrandt, now in the Église Saint-Vincent in the French town of Le Mas-d'Agenais, Lot-et-Garonne. The inventory of Catharina Elisabeth Bode was made in Delft on 27 October 1703—she was the widow of Valerius Röver. It mentions "a piece of painterly invention [titled] Christ on the ...
The Crucifixion with Saint Mary Magdalene is a c. 1502–1505 painting in tempera on canvas by Luca Signorelli, now in the Uffizi in Florence. It is usually held to be a late autograph work. It is usually held to be a late autograph work.
Velázquez made various nude studies he used in later paintings, such as Apollo at the Forge of Vulcan (1630) and Joseph's Tunic (1630). Art critics assert that the nude study for this painting is exceptional and masterly in its fusion of serenity, dignity and nobility. It is a life-size frontal nude, without the support of a narrative scene.