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Shadowgraphy or ombromanie is the art of performing a story or show using images made by hand shadows. It can be called "cinema in silhouette". It can be called "cinema in silhouette". Performers are titled as a shadowgraphist or shadowgrapher.
Some aquatic predators detect their transparent prey by way of their shadows cast upon the ocean floor. It was Robert Hooke [1] who first scientifically demonstrated the sunlight shadowgraph and Jean-Paul Marat [2] who first used it to study fire. A modern account of shadowgraphy is given by Gary S. Settles. [3]
Albert Almoznino (Hebrew: אלברט אלמוזנינו; March 3, 1923 – April 7, 2020) was an Israeli hand shadow artist.He gained international recognition in the years 1958-1975 when he performed his hand shadow skills in front of thousands of people at Radio City Music Hall New York, Paris Olympia, Reno Nevada, "The Ed Sullivan Show" [1] and other places.
Shadowgraphy may refer to: Shadowgraphy (performing art), using hand shadows; Shadow play or shadow puppetry, performing art using cut-out figures; Radiography, the use of X-rays; Shadowgraph or shadowgram, an optical method that reveals non-uniformities in transparent media
Félicien Trewey, born Félicien-François Trevey (23 May 1848 – 2 December 1920), was a French magician, mime, comedian, vaudevillian, tightrope walker, balance artist, dancer, musician, chapeaugraphist and shadowgraphist. [1] [2] The principal of Trewey's entertainment was balancing tricks, which at the time he was a grand master. [3]
A performance of wayang, an Indonesian shadow puppet form. Shadow play, also known as shadow puppetry, is an ancient form of storytelling and entertainment which uses flat articulated cut-out figures (shadow puppets) which are held between a source of light and a translucent screen or scrim.
The World's Foremost Historians Imagine What Might Have Been, is an anthology of twenty essays and fourteen sidebars dealing with counterfactual history. It was published by G.P. Putnam's Sons in 1999, ISBN 0-399-14576-1, and this book as well as its two sequels, What If? 2 and What Ifs? of American History, were edited by Robert Cowley.
The Crack-Up is a 1945 posthumous collection of essays by American author F. Scott Fitzgerald. It includes three essays Fitzgerald originally wrote for Esquire which were first published in 1936, including the title essay, along with previously unpublished letters and notes.