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The euphonium is a medium-sized, 3- or 4-valve, often compensating, conical-bore, tenor-voiced brass instrument that derives its name from the Ancient Greek word εὔφωνος euphōnos, [2] meaning "well-sounding" or "sweet-voiced" (εὖ eu means "well" or "good" and φωνή phōnē means "sound", hence "of good sound").
This is not to say that composers, then and now, valued the euphonium only for its lyrical capabilities. Indeed, examination of a large body of concert band literature reveals that the euphonium functions as a jack of all trades, at times doubling the tuba in octaves, at times adding warmth to the trombone section, at times adding depth to a horn line, and at times adding strength to rapid ...
The current principal euphonium of President's Own U.S. Marine Band in Washington, D.C., adjunct euphonium professor at George Mason University, and student of Brian s. Poppy Hepworth 2010- One of two current first euphoniums in the Robin Hood Youth Orchestra in Nottingham and former principle euphonium of the Robin Hood Youth Orchestra ...
Euphonium Concerto is a concerto written by Joseph Horovitz for euphonium and British-style brass band (or, alternatively, wind orchestra or chamber orchestra). It is considered as one of the first euphonium concertos. It was commissioned by the National Brass Band Festival with funds from the Arts Council of Great Britain.
Double bell euphonium being played. The double bell euphonium is a duplex instrument based on the euphonium. The larger bell produces the mellow tone of a standard euphonium; the second smaller bell has a brighter tone, similar to a baritone horn or valve trombone. The instrument is sometimes dismissed as a novelty, but has had some ...
A list of baritone horn, euphonium, tenor horn, tenor tuba and marching baritone horn manufacturers past and present. Most of these companies produce or produced tenor brass as part of an overall band instrument catalogue.
Arthur W. Lehman (September 24, 1917 – June 19, 2009) was a widely recorded American euphonium virtuoso and soloist. He was noted for having radically changed the way the instrument was technically performed, and was a major influence on euphonium soloists who followed him.
Dr. Louder was a euphonium soloist with the New Columbian Brass Band as well as the assistant conductor and soloist with Leonard B. Smith's Detroit Concert Band. In addition to these roles he played principal euphonium and was the featured soloist with Keith Brion's New Sousa Band and The Cleveland Orchestra Blossom Festival Band. [2]