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Twoubadou (Haitian Creole pronunciation:; French: Troubadour) music is a popular genre of guitar-based music from Haiti that has a long and important place in Haitian culture. The word comes from troubadour, a medieval poet-musician who wrote and sang songs about courtly love. Like the troubadours of old, the Haitian twoubadou is a singer ...
Category: Songs by Haitian songwriters. 1 language. ... Songs written by Hurby Azor (13 P) D. Songs written by Jerry Duplessis (30 P) J. Songs written by Wyclef Jean ...
The Haitian cadence and its compas has been dominating the Antilles music scene since its introduction in the late 1950s. Compas direct is a modern méringue popularized in 1955 by the Nemours Jean-Baptiste , a Haitian saxophone and guitar player, which was appropriated by the Antilleans who labeled their version cadence-lypso and later, zouk ...
Michaël Brun (born 19 May 1992) is a Haitian DJ and record producer based in New York, known for blending electronic music with traditional Haitian styles such as kompa and rara. [1] He released his debut EP Gravity in 2013 and founded the record label Kid Coconut in 2014, [2] to showcase Haitian music and develop Haitian artists. [3]
Pages in category "Haitian folk songs" The following 4 pages are in this category, out of 4 total. This list may not reflect recent changes. C. Choucoune (song) E.
" Somos El Mundo 25 Por Haiti" is a 2010 song and charity single recorded by the Latin supergroup Artists for Haiti and written by Emilio Estefan and his wife Gloria Estefan. It is a Spanish-language remake of the 1985 hit song " We Are the World ", which was written by American musicians Michael Jackson and Lionel Richie , and was recorded by ...
Joé Dwèt Filé is a French-haitian [1] singer. He was involved in music from a very young age through his church. He later moved to sing with Afro-Caribbean influenced songs of mainly zouk and konpa songs. He was also involved in hits like "Que toi" of Stoney and "Un mot" of Axel Tony and "Mama hé" by Vegedream. [2]
The New York Times felt that the artists behind "Stranded (Haiti Mon Amour)" deserved credit for creating an original song for the occasion but that the results were of mixed quality: "The sound was muddy, and the concept undercooked, but it was an implicit acknowledgment that a situation this dire demanded something more than squeezing meaning ...