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Bowls, also known as Abstraction, Bowls, is a black and white photograph taken by Paul Strand in 1916. The photograph has elements of cubism and abstractionism, and exemplifies his style at the time. [1]
There has been no commonly-used definition of the term "abstract photography". Books and articles on the subject include everything from a completely representational image of an abstract subject matter, such as Aaron Siskind's photographs of peeling paint, to entirely non-representational imagery created without a camera or film, such as Marco Breuer's fabricated prints and books. [1]
Geometric abstraction is present among many cultures throughout history both as decorative motifs and as art pieces themselves. Islamic art, in its prohibition of depicting religious figures, is a prime example of this geometric pattern-based art, which existed centuries before the movement in Europe and in many ways influenced this Western school.
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art , non-figurative art , non-objective art , and non-representational art are all closely related terms.
In the 1940s, the Portuguese calçada began to evolve in line with the principles of the International Style, developing abstract geometric patterns. In Brazil, this pavement was used in many projects directed by modernist architects, in which they blended traditional materials and techniques like the calçada with contemporary design.
At the beginning of house painting, their symbols and patterns were often based on Ndebele's beadwork. The patterns were tonal and painted with the women's fingers. The original paint on the house was a limestone whitewash. The colors added to make the paintings were mostly natural pigments consisting of browns, blacks, and others.
Heesch's work was influenced by Weber's 1929 paper on black-and-white colouring of 2D bands. [14] In 1935-1936 H.J. Woods published a series of four papers with the title The geometrical basis of pattern design. The last of these [15] was devoted to counterchange symmetry and in which was derived for the first time the 46 dichromatic 2D point ...
The meander is a fundamental design motif in regions far from a Hellenic orbit: labyrinthine meanders ("thunder" pattern [3]) appear in bands and as infill on Shang bronzes (c. 1600 BC – c. 1045 BC), and many traditional buildings in and around China still bear geometric designs almost identical to meanders.