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The only way to understand a woman is to love her; The old wooden spoon beats me down; The only way to find a friend is to be one; The pen is mightier than the sword; The pot calling the kettle black; The proof of the pudding is in the eating; The rich get richer and the poor get poorer; The road to Hell is paved with good intentions
CIL 4.5296 (or CLE 950) [a] is a poem found graffitied on the wall of a hallway in Pompeii.Discovered in 1888, it is one of the longest and most elaborate surviving graffiti texts from the town, and may be the only known love poem from one woman to another from the Latin world.
The ending couplet provides, according to Moore, an interesting twist when "deception and love making become one: to lie is to lie with" [39] However, Vendler has a slightly different take on the poem as a whole in response to the final volta. She notes that the pronouns "I" and "she" share a mutual verb, becoming "we" with "our" shared faults.
The sonnet was a popular form of poetry during the Romantic period: William Wordsworth wrote 523, John Keats 67, Samuel Taylor Coleridge 48, and Percy Bysshe Shelley 18. [1] But in the opinion of Lord Byron sonnets were “the most puling, petrifying, stupidly platonic compositions”, [ 2 ] at least as a vehicle for love poetry, and he wrote ...
"A Valediction: Forbidding Mourning" is a metaphysical poem by John Donne. Written in 1611 or 1612 for his wife Anne before he left on a trip to Continental Europe, "A Valediction" is a 36-line love poem that was first published in the 1633 collection Songs and Sonnets, two years after Donne's death.
"Maxims I" (sometimes treated as three separate poems, "Maxims I, A, B and C") and "Maxims II" are pieces of Old English gnomic poetry. The poem "Maxims I" can be found in the Exeter Book and "Maxims II" is located in a lesser known manuscript, London, British Library, Cotton Tiberius B i.
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It deals with the emotions of love, [3] and has been called as "opposite extreme" to Kamasutra. [4] While Kamasutra is a theoretical work on love and sex, Gaha Sattasai is a practical compilation of examples describing "untidy reality of life" where seduction formulae don't work, love seems complicated and emotionally unfulfilling. [5]